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Experimenting with iCraft Deco Foil

iCraft Deco Foil Transfer Gel applied through a stencil

On Thursday, September 14 we hosted our monthly How Do I…? demonstration. The topic was foiling fabric and paper, and we used iCraft Deco Foil Transfer Sheets Value Pack in Rainbow and iCraft Deco Foil Transfer Gel (jar pictured above), which is an acid-free, permanent foil transfer gel made for use with paper and cardstock. We also experimented with using the adhesive on fabric… because that’s just how we roll here at Artistic Artifacts!

Our first experiments (below) weren’t up to snuff. We wanted to experiment with using our wooden printing blocks to stamp the adhesive, but we learned we were not applying the transfer gel thickly enough. (Yes, we often learn as much as our students!) Because it requires a minimum of an hour to dry — you cannot apply the foil to wet adhesive — we were preparing some swatches for our attendees to use in advance.

Transfer gel applied too thinly, and heat/pressure not strong enough

The extremely faint print left above resulted from not just too little adhesive, but by running it through the laminating machine (our chosen method for the heat and pressure needed to transfer the foil from the carrier sheet to the prepared surface) sandwiched between two sheets of cardstock. The swatch on the right was put through the laminator sandwiched between two sheets of copier paper, which made a big difference even with the too-thin adhesive. Our instincts were to apply the transfer gel thinly and we were spreading it as we would paint. Once we realized we needed a thicker layer, our results were strong.

Applying iCraft Deco Foil Transfer Gel to a fabric swatch

Above, using a palette knife to apply the gel through a stencil onto a cotton fabric swatch.

iCraft Deco Foil Transfer Gel applied to fabric swatches

Above left, freshly applied transfer gel, which appears as a thick white paste. Right, the transfer gel properly dried — it is clear and shiny, with a slightly tacky feel/finish.

A foiled fabric swatch

Above and below, after the rainbow foil is applied.

A foiled flower on a cotton fabric swatch

The flower above did end up with two small patches of white where the foil didn’t apply, whether from it being too thin, or the surrounding gel being mounded higher preventing it from contact with the heat and pressure. We reapplied gel to the bare areas, and once dry ran it through the laminator again. We didn’t try matching the colors up in placement, giving us a cool effect of a bit of aqua on red, etc.

In fact, even if technically it would be deemed a mistake, we really loved the results of foiling swatches that had thinly applied adhesive through a stencil:

Fabric swatch with partially applied foil -- still very artful!

The foil will act as a resist, so we can apply paints or inks to this swatch to color it further. Gorgeous as is, and a fun starting point for further experimentation.

Our tree coral wooden printing block used to apply transfer gel to paper

You can see the adhesived dried on the paper swatch above, a print from our WB226 Tree Coral Wood Block. Below you can see the texture that resulted.

Our tree coral wooden printing block and a bubble stencil foil examples

We also used Mistyfuse Sheer Paperless Fusible. Below is a swatch example; we get so involved during the actual evening we forget to take photos. One of our attendees created a gorgeous abstract starburst cutting triangles of Mistyfuse and foiling it. Wish we could share that!

Using Mistyfuse sheer fusible web to apply foil to a fabric swatch

When you foil, make sure the color side is up/facing you, and the more matte silvery side is down against your surface. It can feel counter-intuitive… and FYI, even when you KNOW this rule, you can make the mistake!

Supplies and some results from our How Do I...Foil Paper and Fabric demo evening

You can see the silver/matte side of the foil in the photo above, in between our Tree Coral block on the left and the unused piece of foil on the right. Note that the flower image bottom right was intentionally foiled with a sheet that had already impressed a bubble print… again, we really like what others might see as a mistake!

A partially used sheet of iCraft Deco Foil

Above, a partially used sheet of foil… you can see the burgundy worksurface through the sheet where the foil has lifted off the clear plastic carrier sheet. Don’t throw partially used sheets out, as until the sheet is completely clear, there is usable foil there. These used sheets were the supply for another easy way to use the foil — creating our own metallic washi tape. We used ordinary masking tape and burnished (even finger pressure works for this) the used sheets of foil randomly across the sticky surface.

Creating custom foiled washi tape

Below, a completed length. We love breaking up the rainbow stripes into these random splashes of color!

A complete piece of foiled tape

You could also apply the foil more sparingly, and use mica powders, pigments, or embossing powder on the exposed areas of the masking tape to eliminate the stickiness and add even more color and texture. Below, the masking tape easily tears for a more organic edge if desired.

A complete piece of foiled tape torn in two for a different edge

There are plenty of tutorials out there for foiling, but as always, we encourage you to experiment and approach the process with a “what if?” attitude. Have fun!

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WonderFil Fish & Fowl

Felt and fabric birds embellished with hand stitching using WonderFil Specialty Threads

My friend Liz Kettle of Textile Evolution recently shared her Birds on a Stick tutorial — created from felt and fabric scraps and hand-stitched using WonderFil Specialty Threads — on the Havel’s Sewing Sew Creative blog. Artistic Artifacts is one of only five WonderFil Threaducation Centers worldwide, and one of our responsibilities is to educate customers on the many types, and merits, of WonderFil Specialty Thread. Our version of this project was a fun way to do so, and I wanted to share some results here.

Our WonderFil Fish or Fowl event in early June was one of our periodic “Create Along” Friday evenings. Not quite a full-on class, these gatherings are more of a communal experience (with provided refreshments) of sewing or otherwise creating together, with some minimal guidance as needed by the leader. (Note: our next Sew Along session will be on Friday, October 20, creating an Infinity Scarf with Chris Vinh.)

Creating WonderFil Fish or Fowl during a fun Create Along at Artistic Artifacts

We used Liz’s bird pattern (with her permission; it’s also included in the blog posting) that evening, creating plastic templates for students to trace. To give our customers another option, Sharon McDonagh created a fish pattern that we’d like to share with you — download our Fish pattern (PDF, 707K). These simple patterns are easy to alter if you choose: make your bird’s tail shorter or longer, give it a crest to make a cardinal or jay, etc. Or create your own animal pattern!

Provided supplies to create WonderFil Fish or Fowl at Artistic Artifacts

Liz uses a stick, which we provided with the rest of the supplies (above), but you can also creating your animal without one, giving you the option to hang it as year-round (or holiday) ornament, use as a gift package topper and more.

A felt and fabric fused bird front ready to be stitched using WonderFil thread

Above, the felt bird front has had fabric shapes fused to it using Mistyfuse®. Mistyfuse is my favorite fusible because it’s so sheer and lightweight. The bond is strong but very easy to stitch through.

A felt and fabric fish being embellished with hand stitching

Fussy cutting your fabric can provide a lot of design and stitching inspiration, as seen in the fish above and the red bird below. The 8wt rayon/metallic Dazzle Thread was a popular choice to add sparkle and shine to our creatures.

Felt and fabric birds being embellished with hand stitching using WonderFil threads

A felt and fabric bird being embellished with hand stitching

I shared my Tulip needles with the group for their use and taught simple hand embroidery stitches. Liz has photo instructions of stitches on the blog post; I also provided reference materials so the students could experiment with new stitching patterns.

Fish embellished with stitching using 12 wt. Spagetti and Fruitti  from WonderFil

Above, some of the samples, provided courtesy of WonderFil, of 12 wt. Spagetti™ (solid colors) and Fruitti™ (variegated). If you purchase from us online, note that the thread is sold on larger spools!

Felt and fabric bird front embellished with hand stitching being whipstitched together with its back

Below, once you have stitched your creature’s front and back pieces together partially around, you can add a bit of “stuffing” to fill them out.

Felt and fabric bird front embellished with hand stitching being whipstitched together with its back

Below, a beautiful bird almost finished! In her post Liz writes that she likes to prepare materials for the birds for a travel stitch project, which is a fun idea. She feels that with small projects, she’s free to experiment with stitches and colors … good advice! As she says, “go wild and play!”

Felt and fabric bird front embellished with hand stitching being whipstitched together with its back

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Block Printed & Slow Stitched Quiltlets

Judy Gula flower quiltlet, block printed and stitched

We recently welcomed a customer in the store and discussed some of the modern stitching methods, such as the Stitch Meditations we wrote about last week. She fell in love with one of my projects, which is displayed with our wooden printing blocks, and I realized this was the perfect opportunity to update you on the completed project, published in progress in June 2015.

The Slow Stitching Movement has become very hot over the last couple of years. Mark Lipinski modeled it after the international Slow Food movement, open to all fiber and needle artists to prepare them for a higher form of creativity and important work in the needle and fiber arts.

I have really enjoyed renewing my acquaintance with hand stitching! I was inspired by my stitching gurus, Liz Kettle of Textile Evolution, and renowned stitch/fiber artist Ruth Chandler, both of whom were interviewed by Mark about the Slow Stitching movement — listen to their podcasts!

Cover of Modern Hand Stitching by Ruth Chandler

Another catalyst for my renewed interest was the publication of Ruth’s book Modern Hand Stitching, which gives you instructions for how to create basic stitches, and then shows the multiple ways you can use and alter it for a fresh new look. It is amazing! Now I comb through used book stores looking for European hand stitching books — especially the Scandinavian ones. It’s official…I am hooked!

At one of the monthly Judy’s Altered Minds (JAMs) meeting, a show & tell project by member Karen Scudder caused such a stir that she was asked to give the group a short demo at a future meeting. Karen had used a creative hand stitching and quilting technique often attributed to Teesha Moore (see the end of this post for more info and tutorial links). That demo has led to many little hand stitch quiltlets appearing at JAMS meetings, and a number of dedicated new fans of the process!

Judy Gula small quilt sandwich makings

Not wanting to be left out of the fun, and wanting to use the samples I have accumulated from many block printing demonstrations using our wooden printing blocks and Artistic Artifacts textile paints, I embarked on my own slow stitch project! Here’s my method:

I used shirting fabric samples as my backing — despite giving literally scores of them away over the years, I still have a huge number remaining! Using these samples also gave me a starting point as to the size of my blocks. I matched up the stamped fabric with backing of cotton shirting approximately the same size. For this technique, it’s often recommended that your backing fabric be a bit larger, so it can be turned over to the front to create the distinctive rolled edge.

Judy Gula small quilt sandwich -- edge stitched for stability

I used Nature-Fil™ Blend quilt batting (a blend of bamboo and rayon; stitches beautifully) and cut it slightly smaller than my front and back pieces of fabric. See the beginning of my quilt sandwich above.

Step 2 is to stitch around the block, by hand or machine (example right), to hold the pieces together. While it is possible to skip this step, I have found it does help stabilize it all for the subsequent steps.

The next step is to roll the edges and stitch around them, as shown in the photo below of quiltlet blocks ready to be embellished with hand stitching.

Block printed swatches ready to be embellished with hand stitching
Judy Gula small quilt: rolled and stitched edges

Once you have your small quilt or quiltlet put together, it’s time to break out your floss and stitch away, using as many embroidery stitches as you desire. For this project I kept it simple with variations of straight stitching using a variety of threads and floss.

Detail, Judy Gula quiltlets hand stitched together

You use the same hand stitching to join individual units together, as seen above. These quiltlets can be joined together in stages, so you can always add to a project if you want to.

I have seen examples that are done with more precision, and they are beautiful too… for mine, I didn’t worry about the units lining up accurately — in fact I welcomed the free form nature of it. Another in progress view:

Judy Gula small quiltlets in progress

Many people choose to add buttons, beads and charms too. Note that that kind of additional embellishing should take place after you have stitched the block completely — your stitches shrink the entire block somewhat; beads applied too early in the process could loosen or pucker.

This is a fun and portable project — as you can see in the bird block pictured above, I carried the needle with me everywhere!

And now, finished!

After beginning this in 2015, I continued to enjoy adding to my project. I knew I wanted to join the blocks together to create something, but when I began wasn’t sure what that something would be. I considered a journal cover as Teesha has done, but ultimately had so much fun I just kept going, enlarging and embellishing to end with a wall hanging.

Variegated thread accents this stitched block

Adding to my enjoyment was the fact that Artistic Artifacts is now a WonderFil Specialty Threads “Threaducation” Center… so I have even more yummy threads and fibers to use! Variegated threads like those from Sue Spargo’s collection of Eleganza are beautiful.

Pictured below, I added some beading for another pop of color and texture.

Once all the blocks have been attached together, you can add beads to embellish

My completed wall hanging, below. I encourage you to try this technique for yourself… it really is addicting! Scroll down for instructions by the originator of this method, Susan “Lucky” Shie, and a YouTube tutorial for a fabric journal by Teesha Moore, who popularized Susan’s technique.

Completed block printed andhand stitched art quilt by Judy Gula

More About This Method

Art quilt by Susan "Lucky" Shie

Susan “Lucky” Shie (pronounced “shy”) is an amazing artist, and created a number of heavily stitched and embellished art quilts featured in Quilting Arts and elsewhere. For years she taught her methods; in 1999 she taught a class in her techniques that included Teesha Moore (see Susan’s online diary, scroll approximately halfway down the page). Susan wrotes that Teesha,
         “…who had never made fabric art before, took to it really fast! She is primarily a stamp artist and journaler, who self publishes a wild stamp art quarterly. Her ability to translate her creativity over to fabric textures was wonderful!”

Although Susan ceased teaching this in 2006, she documented her methods in writing and continues to keep that tutorial online. Learn this fun technique from its originator by visiting the Lucky School of Quilting Techniques »

Fabric journal by Teesha Moore

With Susan’s permission, Teesha and others began teaching their own takes on this stitching technique, using it to make art dolls, fabric journals and more. Teesha offers a free set of tutorial videos to create one of her fabric journals, constructed from units she calls pillows. (Teesha stuffs her fabric with polyfil stuffing, rather than using batting.) Watch these videos for her own methods on constructing a sewn and embellished fiber art book:

P.S. As you may know, Teesha suffered a stroke in April. In June Tracy Moore, her husband, posted the following good news on Facebook, that she “keeps improving day after day. She is bright, funny, and beautiful. She continues to inspire me every second of every day. She is working hard on gaining her strength back in her right arm and hand so that she can whip up new wonderful art to share with the world soon.” Please send her positive vibes for her continued recovery!

3 Comments to “Block Printed & Slow Stitched Quiltlets”

  1. Miki Willa

    Willa got me started doing this last summer. They are fun. I will have to look for my start after I get my studio unpacked. Thanks for sharing this inspiration.

    Reply

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Sharing Stitch Meditations

Stitch Meditations created by students in July's "How Do I..." session

We were going to take an August vacation from our monthly product/technique demonstrations and play-time, but due to demand we are repeating July’s popular program!

Participants in the July session of "How Do I... Create a Stitch Meditation?"

Above, the July session of How Do I…Create Stitch Meditations: we had a full house! At the top of this post are the amazing pieces created by students that night. Join us Thursday evening, August 10 to create your own: using WonderFil Specialty Threads (all supplies provided), participants learn the approach originated by my dear friend Liz Kettle of Textile Evolution. Previous sewing or embroidery experience isn’t necessary, so if you are local, please plan to join us.

Stitch Meditation by Judy Gula of Artistic Artifacts

Inspired by Liz, I have also become addicted to this practice. I have posted many on the Artistic Artifacts Facebook page, and wanted to share some of my recent creations in this post. Visit Liz’s website gallery to see her own beautiful examples. Liz has also put together a 17 minute video she hopes inspires others to begin their own stitch practice: learn more.

Stitch Meditation by Judy Gula of Artistic Artifacts

Above, I was inspired by a bit left over from a batik panel by the artist Rusli.

In our 2015 post Thoughts on the Health Benefits of Creativity, Liz shared that managing stress can be difficult for her, and that “The best medicine I have found is what I call Stitch Meditations. I tried for years to do ‘real’ meditation. It just never took and I always felt like I was doing it wrong. But, I knew I needed a stress reducer that was simple and didn’t take much time to do. I love both machine and hand stitching and I find both very relaxing. However the tactile nature of hand stitch won over and I started creating simple small collages using only hand stitch. These meditations are really important to my mental health not only because I slow down and enjoy the meditation, but they give me a sense of connection to my art on a daily basis…even when life has me otherwise occupied.”

Stitch Meditation by Judy Gula of Artistic Artifacts

Liz creates her stitch meditations in the morning, but after experimenting, I have found that stitching in the evening after work is what best works for me. It’s a calming, restful way to end the day. I make a point of traveling with a small stash of supplies so I can create in my hotel room each evening.

Stitch Meditation by Judy Gula of Artistic Artifacts

In addition to Liz, in terms of inspiration I also have to thank Ruth Chandler, author of Modern Hand Stitching … she has taught so many of us how to add a creative, freeform spin on hand-stitching! I can’t count how many times I have recommended her book to my customers: it is an invaluable addition to any stitcher’s library.

Stitch Meditation by Judy Gula of Artistic Artifacts

Above, this small corner of a hand-dyed handkerchief really spoke to me. Proof that you don’t have to work large! I’m thinking it might fill the blank corner of the long work pictured above it.

Stitch Meditation by Judy Gula of Artistic Artifacts

Now that Artistic Artifacts is a WonderFil Specialty Threads “Threaducation Center” I have relished learning about the different weights and properties of their threads… perfect for hand stitching as well as using in your sewing machine!

Stitch Meditation by Judy Gula of Artistic Artifacts

If you are one of those people find themselves saving scraps of fabric and lengths of thread because they’re just too pretty to throw away, you have the makings of the perfect stitch meditation stash!

Stitch Meditation by Judy Gula of Artistic Artifacts

Part of the technique is not to fall into the trap of agonizing over your choices. Quickly choose a few pieces, whether color-coordinated or completely contrasting, and get to work.

Stitch Meditation by Judy Gula of Artistic Artifacts

Below, a larger completed piece created by Suzanne Langsdorf, who just gifted it to Sharon McDonagh of Artistic Artifacts. At last month’s session, Sharon kept picking out fabrics and fibers and walking around to participants to tempt them to start another piece. Suzanne took one of her handfuls and added to it, ultimately creating this gorgeous fiber art.

Stitch Meditation by Suzanne Langsdorf

Below, a detail photograph. Such amazing color and texture!

Detail view, Stitch Meditation by Suzanne Langsdorf

3 Comments to “Sharing Stitch Meditations”

  1. Sharon

    Suzanne is the sweetest… I absolutely LOVE what she created! Every Stitch Meditation is just beautiful and makes you want to dig out your needle and thread.

    Reply
  2. Miki Willa

    I completed eight stitch meditations while I was in Virginia and put then into a cloth book I made for that purpose. I will send you pictures. I have become a stitch meditator.

    Reply

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Row by Row Winner and Upcoming News!

Winner Sue Lee — and Our New Batiks!

Updated July 26 to include batik and Rayna Gillman class links, now available.

For the third summer, Artistic Artifacts is participating in the Row by Row Experience, an annual shop hop event taking place throughout the U.S., Canada, and even many locations in Europe!

Sue Lee with her 2017 Row by Row Experience quilt, the prize winner at Artistic Artifacts

The theme this year is “On the Go,” and as always we enjoyed designing our unique “Pinwheels In Motion” row, created using our Batik Tambal Exclusive Batik. On July 20, 2017 we awarded our prize for the first completed (quilted, bound, and labeled) quilt using at least 8 different 2017 row patternsto Sue Lee…who used 9 row patterns including ours. Sue extended our row and included it on the back of her quilt, making it reversible.

The back of Sue Lee's 2017 Row by Row Experience quilt, featuring the Artistic Artifacts row.

Sue purchased one of our kits (currently available to in-store visitors only; when the event ends this fall we will be able to sell them online) Each kit includes a June Tailor® Charming Circles Ruler to easily cut accurate circles, Avalon Bleached Muslin for background, Mistyfuse® lightweight fusible and a sample spool of WonderFil Specialty Thread. There are so many beautiful color combinations possible with our batiks that we allow kit purchasers to pick the two they like; Sue chose Shapes-Pinwheels, Fuchsia and Color Sponge Solid: Berry.

Detail, of Sue Lee's 2017 Row by Row Experience quilt, featuring the Artistic Artifacts row in our Batik Tambal Exclusive Batik fabric, also used as binding.

Sue so loved our fabric that after buying our kit returned the next day for more to create the row extension and to create her quilt’s binding. Sue was happy to receive her prize of 25 different fat quarters of Batik Tambal Exclusive Batik fabrics, plus a gift certificate to our shop (pictured below). Congratulations, Sue!

Sue Lee with her Batik Tambal Exclusive Batik fabric prize for being the first to turn in a completed Row by Row Experience quilt.

New Batik Tambal Exclusive Batik Fabrics!

And we have exciting news to share about our Batik Tambal Exclusive Batik: new patterns and colors have arrived from Indonesia! We are in the process of getting these news designs on our website: stay tuned to our weekly enewsletter to see! They are making their debut at Quilt Odyssey this weekend!

Some of the new colors and designs of our Batik Tambal Exclusive Batik, coming soon to our online shop!

(updated 7/26) Above, some of the new Batik Tambal Exclusive Batik, NOW AVAILABLE to order on our website: shop now. We have new colors of some of our established designs, and new patterns for you as well!

Rayna Gillman Workshop September 23

And more good news to announce! Our first year of participating in The Row by Row Experience was 2014, and a key design feature in that inaugural row design was Rayna Gillman’s wonky strip piecing technique.

Create Your Own Improv Quilts: Modern Quilting with No Rules & No Rulers by Rayna Gillman, coming November 2017

Rayna has written several books teaching her design concepts, and has influenced so many art quilters… so we’re delighted to announce that Rayna Gillman will be visiting Artistic Artifacts on September 23-24 to teach her amazing techniques!

Back in April our enewsletter included a photo of our customer Laura Geiser’s modern, graphic quilt, featuring many of our wonderful Australian Aborigine fabrics interspersed with many black and white designs as well as modern cottons.

Once she received her copy, Rayna emailed us, “This is exactly what I have done in my new book… using some of the Aboriginal fabrics I bought from you, modern fabrics, and some solids. Time for us to schedule me to teach a 2-day class from my [upcoming] new (modern) book!”

That new book will be published in November. Titled Create Your Own Improv Quilts: Modern Quilting with No Rules & No Rulers, you can pre-order a signed copy from her website.

Updated 7/26: Learn more about this class and register now »

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