Lines & Squares and more…

We have had the Stacked Squares Quilt Pattern, designed by Sarah Gustason, in the shop for some time, but had hesitated to add it to our online store. It calls for beautiful fabrics from Frond Design Studios that we no longer carry. (While we love ALL of the beautiful designs Frond comes up with, in order to be able to add new lines by them —or any other fabric manufacturer —we have to retire other favorites to make room.)

We decided to make up a sample using other striped fabric to show how well the pattern works with different fabric choices, and put Christine Vinh, StitchesnQuilts on the job. While Chris has an amazing talent for seeing a fabric’s potential and in mixing fabric lines, for this project she didn’t need to look far, deciding to experiment with the strong linear lines of the Barnboard line by Frond.

Materials to create a Stacked Squares art quilt

The pattern calls for one yard each of four fabrics to piece the top (plus additional for binding and backing) to create a 48 inch x 60 inch. quilt. Chris chose ½ yard of the following Barnboard colors: Afternoon, Autumn, Summer and Sunlight.

Chris Vinh sewing her Stacked Squares art quilt

Chris posted the above photo on Facebook, writing “Shop sample for Artistic Artifacts under the needle. Perfect combination: Bernina machine, WonderFil Mirage thread, and Frond Design Studio Fabrics fabric and pattern. Add a little music, and this girl is happy!”

Stacked Squares art quilt front by Chris Vinh

And she was even happier with the final result — above, her completed top, waiting for binding.The Barnboard is showcased beautifully with this pattern! Chris arranged her stacked squares to create a 30 inch square wall quilt or table topper. And from the 2 yards of fabric she began with, she had enough to piece a beautiful backing, making it reversible!

Stacked Squares art quilt back by Chris Vinh

To match and complement the various colors, Chris selected Mirage™ Color #27, Green/Honey/Red. Mirage is a 2-ply, 30wt rayon that’s randomly space dyed in variegated colors so that every spool unique. “The Mirage was perfect for this project,” Chris said, noting how far a spool will go…she “barely made a dent in her wound bobbin after free motion quilting.”

Chris has been on something of a “line” kick lately. It started when she wanted to give paper piecing a try. She selected the Sew and Fold on a Roll, Flying Geese & Braids and, while initially daunted by the concept, quickly realized how easy these gridded products are to use, giving you precise results.

Paper pieced braid quilt by Chris Vinh

She had some left over Australian Aborigine-Designed fabrics in her stash and put the above beauty together. It was such a perfect result that she decided to turn it into her entry for her quilt guild’s challenge. Chris is a member of the Arlington Chapter of Quilter’s UnlChris Vinh quilt label, Arlington QU Alphabet Challengeimited (QU), a large local guild that has 11 chapters throughout the Northern Virginia region.

Arlington QU often issues group challenges to its members, and this year members randomly drew a letter of the alphabet and are making an 18 in. x 18 in. quilt inspired by that letter. Chris drew the letter L, and realized this quilt was perfect: L is for Lines! (Pictured right, Chris’ quilt label.

The Alphabet Challenge quilts will hang together at QU’s 44th Annual Show, which takes place June 2-4, 2017 at the Dulles Expo Center in Chantilly, VA. The QU Quilt Show is always well worth the trip!

Chris is also enjoying using her new paper piecing skills on her latest work in progress. As mentioned above, she is a whiz at pulling together beautifully coordinating or contrasting fabrics. There are quilters who stick to a particular fabric collection for inspiration, and then others who look for colors and designs that, as she puts it “plays well with others.”

Work in progess by Chris Vinh

Pictured above, a paper pieced braid that uses several fabrics from the new Figment line designed by Pam Goecke Dinndorf. This piece also has some choices from the Marks collection by Valori Wells, also available in our Modern Cottons section, and complementary Australian Aboriginal Designs.

Quilt top by Artistic Artifacts customer Laura Geiser

We also wanted to shared these, perfect for this post’s theme of lines and patterns! Recently one of our customers, Laura Geiser, brought the two beautiful quilt tops (pictured above and below) by the shop. She told us she had been really inspired by the Australian Aboriginal design fabrics we carry and our Paper Pieced Aussie Blocks quilt on display, as well as our variety of black and white prints. She was shopping for additional fabrics to create a third quilt in this series!

Quilt top by Artistic Artifacts customer Laura Geiser

Watch Artistic Artifacts Demo Techniques on Great Day Washington!

Artistic Artifacts is ready for its Great Day Washington taping

Demonstrating surface design techniquesMonday, January 30 was an exciting day for Artistic Artifacts as we appeared live on Great Day Washington, a local morning show on Washington DC’s WUSA*9 TV (CBS affiliate).

Lifestyle Correspondent Meaghan Mooney and her cameraman arrived early in the morning and ran four different “live hits” from 8:55 to 10 am. This amazing opportunity came about because they saw that our customers give us top ratings on Facebook and Yelp…what gratifying news to hear!

For those unable to watch live, we wanted to share the segments from the Great Day Washington portion of WUSA 9 website here.

Click to watch block printing and other surface design techniques

For the first segment — watch online now — Judy demonstrated block Printing on fabric and paper, using hand-carved wooden printing blocks and Artistic Artifacts’ own textile paints. (Join us this weekend for your own opportunity to experiment with this centuries old technique in Block Printing with Cyndi Souder.

The Artistic Artifacts line of Fluid Textile Paints were used for all surface design demonstrations

Additional surface design techniques were also showcased in this segment. Pictured below, Susan Gantz (left) is demonstrating monoprinting on a Gelli Arts Gel Printing Plate, while Sue Price of PG Fiber2Art is demonstrating Thermofax screen printing — join us February 18 for Printing with Thermofax Screens with PG Fiber2Art to learn how to create your own screen printed fabric.

Susan Gantz demonstrating monoprinting and Sue Price of PG Fiber2Art demonstrating Thermofax screen printing

Susan Gantz didn’t think she was a big metallic fan, but experimenting with the Artistic Artifacts Fluid Textile Paint set of Silver, Gold and Copper while demonstrating (see some results below) has now changed her mind!

Monoprint by Susan Gantz in progress and completed

In the second segment, Cyndi Souder of Moonlighting Quilts, Ambassador for BERNINA, demonstrated foundation paper piecing to create quilt blocks using a BERNINA sewing machine — watch online now.

Click to watch Cyndi Souder of Moonlighting Quilts demonstrate paper piecing

Cyndi Souder shows Meaghan Mooney of WUSA9 a paper pieced block

The paper piecing technique offers complete accuracy: precise points and a visually complex design become easy to execute. Join us on Saturday, February 11 for Cyndi’s class Beginning Paper Piecing Row By Row. Above, Cyndi shows Great Day Washington Lifestyle Correspondent Meaghan Mooney (right) a completed block from our 2016 Row by Row Experience pattern kit.

Click to watch a discussion of, and examples of, mixed media and upcycled art

The third segment — watch online now — featured Judy talking about mixed media techniques and upcycling with members of Judy’s Altered Minds (JAMs), a group that meets at Artistic Artifacts monthly. Judy began by showing off results from the JAMs Box Challenge conceived by Barb Boatman of Cut Sew Create studio (see more photos of the results in our past Facebook album), repurposing dimensional wood box frames formerly used on a display wall of automotive products.

Meahgan Mooney meeting Artistic Artfacts customers and members of JAMs

Members used these surfaces to create small artworks that incorporated products from Artistic Artifacts that they had in their stashes, and/or that they had purchased new. JAMs member Beth Richardson explained the sea turtle box she created, and viewers also get a chance to some of the pages of an art journal that Beverly Hilbert has created.

Click to watch a demonstration of hand-stitching on a batik panel and learn more about how they are created

The final demonstration was Christine Vinh of StitchesnQuilts discussing how batik panels are handcrafted in Indonesia as well as demonstrating hand-stitching on one by the popular batik artist Jakawatch online now.

Batik art panels at Artistic Artifacts

Christine Vinh and Suzanne LangsdorfAbove, our batik panel “station” set up for filming. Chris used Tulip needles, a selection of WonderFil Specialty Threads, and was inspired by Modern Hand Stitching by Ruth Chandler. This segment also includes a walk-through of the shop back to the BERNINA machine embroidery demonstration by Denise Reuter of Artistic Artifacts, who has several years experience as a manager and educator for BERNINA Sewing Machine USA. Artistic Artifacts is a new BERNINA dealer!

In her segment Chris wore her beautiful Schoolhouse Tunic, which was sewn for her by JAMs member Suzanne Langsdorf using Batik Tambal Exclusive Batik in Woodstock, Jam and fabric from a sarong imported from Indonesia. Pictured right, Chris preps for her filming with the caffeine boost of coffee while Suzanne teasingly waves to the camera.

And as if the “official” taping didn’t keep us all hopping enough Judy’s son Kyle also streamed video content live (archived below) on Facebook!

In this livestream “you can hear me talk about my latest artwork (at time mark 15:40 in the video) about my written meditation on forgiveness,” writes mixed media artist Wendy Sittner, pictured below, “when I got to participate in Artistic Artifacts’s appearance on WUSA9 Great Day Washington live with Meaghan Mooney. Owner Judy Vincentz Gula did amazing and Meaghan was so friendly and made us feel so comfortable on camera.”

"Wendy Sittner with her written meditation on forgiveness

For Artistic Artifacts, this really was a "Great Day" — we extend our deepest gratitude to WUSA9 for visiting our store and showcasing the fiber and mixed media talent and techniques of our creative minds!

Artistic Artifacts staff and customers during the Great Day Washington filming

Below, machine embroidery by Denise Reuter.

Always color outside the lines -- machine embroidery by Denise Reuter

Stitched Photo Quiltlets

Photo stitched quiltlets, a holiday gift to my son, nephew and nieces

A number of years ago I took a photo of my son Kyle with his cousins Meghan, Carleigh and Reid (my brother Scott’s children) during an ice skating outing, and it has always been a favorite of mine…and I always intended to use it in my art and share it with each of them. Now that they are all young adults, this past holiday season was finally the year!

My first step was to print the photograph out on EQ Printables Premium Cotton Lawn Inkjet Fabric. I fit two images per sheet. I then used Mistyfuse, my favorite fusible (so sheer and lightweight) to fuse the images to Pellon Heavyweight Stabilizer.

Emphasizing the children by stitching over the photo's background

Since I wanted the kids to be the focal point, I decided to stitch the background out using Fruitti™ by WonderFil, a 12 weight cotton thread. First, I stitched an outline of the group, and then I went back in and added freeform vertical lines to eliminate the distraction of the photo’s background. The thickness of the thread gave me the look I wanted, and I choose one of the more subtle of the variegated colors available to add additional interest without pulling attention away from these adorable kids.

Trimming corners to lessen bulk once turned

I created a small quilt to stitch my photos to, using the Pillowcase Turn method. You can download a free instructional PDF on this technique from Susan Brubaker Knapp’s website…she writes it’s “the fastest and easiest technique for finishing an art quilt.” Above, trimming the corners to lessen the bulk once the “pillowcase” is turned.

Small slit to enable the pillowcase turn method

Above, a small slit is necessary to enable the pillowcase turn method. My fabric label, shown at the bottom of this post, is fused on and hides it.

Satin stitching around the photo

For some of the quiltlets, I used a satin-stitch around the photo (above)…

Zig zag stitching around the photo

…for others, just a simple zig zag finish.

Pockets hold a dowel for hanging the quiltlet

I wanted to make it easy on the recipients to be able to hang these up for display, so I added triangle pockets to the back, which hold a lightweight dowel. As these are small and lightweight, they really can hang with just a pushpin! There are a lot of tutorials out there on this easy process — try this one.

I loved popped these in the mail this holiday season and imagining the smiles as they were unwrapped — grab a favorite photo of your own and turn it into an art quilt, for yourself or for others to display.

Using WonderFil Threads to Accent Block Prints

Block printed table runner bordered in Australian fabric, prebound

The center panel of my block printed table runner, pictured above pre-bound, began as a sample cloth. When I exhibit at quilt shows, I demo block printing (remember that this blog contains a Block Printing Introduction tutorial) and this length of fabric contains multiple prints accumulated over a show. I decided this was an ideal piece to continue with, challenging myself to work in a subdued palette.

I used an assortment of our beautiful, collectible wooden printing blocks, hand carved by artisans in India for this runner. Most the designs you see in use here are currently out of stock, but we have another shipment arriving any day now, so keep checking in with us!

GRABAROO’S® gloves and Konfetti™ threads by WonderFil

Above, using a pair of GRABAROO’S® gloves gives you extra grip when you are free-motion quilting — you will really feel a difference in handling and moving your quilt sandwich. Pictured center are the Konfetti™ threads I chose: from top to bottom, 101 Soft White, 905 Sterling Grey and 902 Medium Grey. Konfetti, one of the many specialty threads by WonderFil we now carry, is 3-ply, 50wt cotton low lint thread, ideal for use in free motion quilting and more. In the hopes of making my runner reversible, I used the Konfetti in both my top and bobbin thread. I loved the feel of it… very easy to use

Using the fabric pattern to guide free motion quilting

A simple way to freemotion quilt is to just follow the design printed on the fabric!

Block printed center bordered with Australian fabric

I used Bush Coconut Dreaming Brown by Audrey Martin for the borders. This is one of the amazing Australian Aboriginal fabrics we carry; the color combinations and authentic tribal designs are so inspiring!

Freemotion quilting with Konfetti thread by WonderFil

Above, a detail of stitching the design that was created by the wooden block print.

Block prints free motion stitched with Konfetti thread

Additional views. At this stage, all the thread needs to be pulled to the back and hidden yet.

Block prints free motion stitched with Konfetti thread

So, what do you think?

Block Printed Ornaments Featuring Terial Magic

Block Printed fabric snowflakes created by Judy Gula using Terial Magic spray

No matter how busy the holiday rush is, I want to handcraft at least one gift or ornament each year. But because of that very sameholiday rush this year, I wanted a project that could be done quickly and easily!

I created these ornaments using Terial Magic™ (a fabric stabilizing spray), an assortment of our wooden printing blocks, WB171 Snowflake, WB393 Snowflake and WB394 Snowflake; Opaque Textile Paint by Artistic Artifacts, various shirting scraps and WonderFil Dazzle thread.

Supplies used to create Block Printed fabric snowflakes

I trimmed the shirting fabric to the size of the wooden printing block plus ½” each side. After trimming, the fabric was treated with Terial Magic. The simple steps to use Terial Magic are 1) Spray to saturate (photo below), 2) Dry until damp and 3) Iron to set. (Last summer we wrote a review of Terial Magic and included complete details about how to apply it and its many uses: a useful and versatile product!)

Treating fabric swatches with Terial Magic spray

Once the treated fabric was dried and ironed, we stamped using the snowflake wooden printing block and one color of paint. I’ve provided many block printing tutorials in the past, but as always I want to emphasize the importance of using a dense foam printing mat under your fabric to achieve the best results. Each ornament requires four snowflake stamped fabric pieces.

Block printing onto Terial Magic treated fabric swatch

Block printed snowflake on a Terial Magic treated fabric swatch

After the paint has dried the fabric is ironed and trimmed closer to the shape of the snowflake pattern (photo below). The snowflake prints, now cut out, are stacked with snowflake print up and then alternate snowflake print down, snowflake up, snowflake down.
Trimmed fabric block printed snowflakes

Sew a straight stitch down the center line of your neat stack, which holds all the snowflakes together.

For a bit of festive sparkle, I cut a piece of Dazzle Thread by WonderFil to use for the loop to hang the ornament, zig-zag stitching to hold it in place (photo below).

Adding Dazzle thread by WonderFil to stitched fabric snowflake

Finger press your fabric sections open, and there you have it! My finished ornaments are pictured at the top of this post…you can also see a resin cookie cutter ornament created by my niece in a recent class held here at the shop by Leslie Brier.

P.S. We are making progress getting the wide assortment of WonderFil threads up on our website — keep checking in with us! The Threaducation Center is your place to interact with like minded people, develop new friendships and be inspired! Schedule your next fiber arts group activity with us at the Center today!

Artistic Artifacts & The Tale of the Frog Princess…

Staffed by Ruth Chandler and Liz Kettle with support from WonderFil Threads, The Thread Lab: WonderFil Threaducation Center is a learning center devoted to teaching a textile classes, both hand stitching and machine sewing, that use the variety of WonderFil™ Specialty threads. Located at Cottonwood Center for the Arts in Colorado Springs, the Thread Lab is also frequented by The Frog Princess.

The Frog Princess of Colorado Springs

Reigning over the Thread Lab and the artist studios at Cottonwood, and inspired by her own garments full of color and texture, The Frog Princess found she had a natural affinity for recommending thread choices to customers and students.

The Frog Princess choosing thread colors

And so, like Ruth and Liz, she studied for her Thread Certification. (Because every princess wants to be a Thread Goddess! photos above and below by Terza Ekholm) The Frog Princess found that Threads, The Basics & Beyond: The Complete Visual Guide to Thread Techniques & Creativity by Debbie Bates and Liz Kettle is an amazing resource.

The Frog Princess studies Threads, the Basics & Beyond by Debbie Bates and Liz Kettle

And so all was well in the land. Until November 30, when Ruth Chandler sent out the alarm:
“The Frog Princess is AWOL!”

Any disappearance of royalty is of course critical, and so the emergency security plan was immediately put into effect. “I called out the troops to find the Frog Princess,” notes Ruth:

Rallying the troops to find The Frog Princess

But then a message arrived from 1,700 miles away, Artistic Artifacts in Alexandria, VA: The Frog Princess had been found! (And there was much rejoicing.)

Yes, craving a change of scenery, The Frog Princess decided to stow away, taking advantage of the trip Liz undertook to assist Artistic Artifacts with the set up and launch the fifth WonderFil Threaducation Center — the only one on the East Coast of the U.S.!

The staff at Artistic Artifacts was delighted to have her as a guest…Friday morning she awoke early to have coffee with Judy, but with so much to do to get ready for the Annual Open House and Pop-Up Holiday Market, we quickly put her to work.

Coffee with The Frog Princess

With her eye for color, The Frog Princess gravitated toward pricing the inspiration packs, popular bundles of hand dyed found textiles and fibers Judy incorporates with two fat quarters of woven cotton, perfect for fiber collage.

The Frog Princess with fiber collage inspiration packs put together by Judy Gula of Artistic Artifacts

Below left, she put her stamp of approval on some store rearranging (our ribbons are now nicely showcased, much to her pleasure). At right she poses with Liz on a break from showing off the beautiful WonderFil threads to customers at the Annual Open House on Saturday, December 3, where Liz demonstrated stitching and furthered the “threaducation” of many.

The Frog Princess enjoys visiting Artistic Artifacts with Liz Kettle

Sunday found Liz and students hard at work in the Magical Stitches class. Below you can see that The Frog Princess got herself involved in class discussion.

Magical Stitching class with Liz Kettle at Artistic Artifacts

Artistic Artifacts is usually closed on Mondays, but on December 5, we were all hard at work. Our gorgeous threads and fixtures finally made it through customs and delivery from Canada, so we spent the day putting together the Threaducation Center! Frankly, we thought the tiny little hands of The Frog Princess would have been a bigger help when it came to the WonderFil Thread cabinet construction! But then again, she IS royalty; supervising is really her strength…

The Frog Princess supervises construction of the WonderFil thread cabinets and display stands

Below, everyone wanted to get close to the Sue Spargo collection! WonderFil™ teamed up with the author, teacher, embroidery expert and artist to bring out a new line of colors in the Eleganza™, Razzle™, and Dazzle™ thread lines! These colors have been selected by Sue Spargo to offer an array of beautiful and inspirational choices, including variegated colors that are only available in her line.

The Frog Princess helps Chris Vinh put away the Sue Spargo Collection of WonderFil threads

Below, The Frog Princess poses at the end of a productive workday with the new WonderFil Threaducation Center located at Artistic Artifacts.

The Frog Princess poses with the new WonderFil Threaducation Center located at Artistic Artifacts

Finally it was time to return to her own kingdom. Before she left The Frog Princess took one final lap around the store to soak in some memories:

Come back anytime, Princess — you and your friends at the Thread Lab are always welcome! In fact, consider this a formal invitation for next year, when Liz returns to Artistic Artifacts to teach a 4-day creative retreat, Stitch Journeys — Your Guide to Amazing Stitching, June 15-18, 2017. The cost will be $495, which includes provided lunch each day, and payment plans will be available — please email us to make arrangements. Complete information will be posted soon on the Artistic Artifacts website. Plan to join us!

Sharing Some Peeks of Quilt Market/Quilt Festival

I am still catching up after being away for more than two weeks away for the Quilt Market and the International Quilt Festival, in Houston, TX. In order to get a blog post up for the first time in muchtoo long, I am shamelessly stealing from my Printed Fabric Bee buddy Lisa Chin!

Judy Gula presenting her Selling Hand Drawn Batik Artist Panels session in Houston, TX, photo by Lisa Chin

I last wrote from Market, the largest “trade show” for fabric and quilting (it’s not open ot the public), which takes place annually several days before the Quilt Festival. Lisa wrote that she “had the opportunity to attend a number of Schoolhouse presentations during market. These very short classes are designed to help store owners learn more about the products available, as well as how to use the products and share them with their customers.”

I taught a Schoolhouse, and Lisa took the photo of me pictured here during it, and wrote a blog posting that included it. My presentation is titled Selling Hand Drawn Batik Artist Panels. Most fabric stores carry commercial batik fabrics, which have long been popular with quilters and seamstresses. My presentation hopes to open shops up to selling one-of-a-kind batik artist panels as well. (Note: while this presentation was to industry, I also have a lecture and trunk show I present to guilds and art groups titled Batik Adventures.) At Artistic Artifacts we sell beautiful panels from ten different Indonesian artists, which are wonderful incorporated into unique quilts, home decor or mixed media art projects.

I’m so fortunate to have a local home to stay in during the duration of my trip to Houston. Several of my quilting buddies gather there too; fiber and mixed media artist Judi Hurwitt generously welcomes us in. (Remember Judi? She used my wooden printing blocks and fabric paint to transform an upholstered chair!

On a “play day” before everything began, I led the group in a fabric dyeing session. My ‘bible’ is Color by Accident by Ann Johnston…I swear by her low-water Immersion method. Here are Lisa’s quart canning jars full of luscious color steeping. I always love photos of this portion of the process! Visit Lisa’s blog for a shot of her finished fabrics, as well as photos of our Cyanotype sun-printing experiments.

Lisa Chin's dyed fabric setting in the sun

I could never get through a long trip like Houston without the help and support of friends and colleagues. Joining me at Judi’s beautiful home were Chis Vinh, Ruth Chandler and Liz Kettle. Chris was a godsend to me; sharing the driving duties to and from Houston, helping me with set-up and take-down (twice! If you exhibit in both shows as I do, you can’t leave your booth from Market up for Festival!) and staffing my booth. And Ruth and Liz had their own extensive schedules with teaching duties.


Lisa Chin demonstrating monoprinting techniques

We all came together for a “Take & Teach” sponsored by Rockland Industries. Artistic Artifacts sells its Roc-lon® Multi Purpose Cloth, Osnaburg 100% Cotton and Nature’s Way Muslin. Take & Teach sessions are 90-minutes long and take place each morning before the Market opens, led by current Market exhibitors about their product. Like my schoolhouse presentation, these sessions serve to let quilt and fabric shop owners know what can be done with a product. I demonstrated block printing and mono-printing on the various fabrics, using my wooden printing blocks and our new fluid textile paints. Lisa, pictured here, used stencils and found objects to explore additional monoprinting techniques. We hope we made some converts to this creative fun.

I have to say thank you to Lisa, for her lovely testimonial on her blog:

“[We] used some great new fabric paints from Artistic Artifacts. I bought the complete set to bring home after using them in class. They have a nice long open time, meaning they won’t dry too quickly on the gel plate, and they have a soft hand on the fabric! Two ideal attributes for fabric paint in my book!”

Since Lisa has been far more productive writing and taking photos than I have, here are links her blog posts relating to Quilt Market and Quilt Festival:

P.S. We’ve just finalized plans with Liz to visit Artistic Artifacts early next month: she’ll be teaching a Friday evening class on her beautiful Stitch Meditations, and a Sunday class on Magical Stitches. In between, Saturday, December 3, she’ll be joining us for our Annual Open House and Holiday Market. Stay tuned for a big announcement about a new venture then too!

 

Artistic Artifacts at Quilt Market 2016

Artistic Artifacts/Batik Tambal booth at the 2016 Fall Quilt Market in Houston, Texas

The largest “trade show” for fabric and quilting takes place each year, prior to the International Quilt Festival, which runs November 3–6 at the George R. Brown Convention Center in Houston, TX. Above, the Artistic Artifacts/Batik Tambal booth this year!

We make a number of our unique products available at wholesale cost to retailers around the country: our own Batik Tambal Exclusive Batik and Textile Paints, hand-carved wooden printing blocks from India, handpainted batik artist panels and more! Encourage your local quilt shop to visit our website to learn more about our wholesale opportunities.

Artistic Artifacts creator Judy Gula chats with fabric designer Valori Wells at the 2016 Quilt Market

Above, Judy chats with fabric designer Valori Wells in her booth. We recently added Valori’s stunning Marks fabric collection to our secure online shop. (Bet plans are being made here to add even more of her beautiful designs!)

Artistic Artifacts will be in Booth #1047 for the Festival, so those of you lucky enough to attend, please plan to stop by to visit and shop!

Block Printed Projects in Martha Stewart Living!

cover of Martha Stewart Living, November 2016

We’re so excited to be featured in the November 2016 issue of Martha Stewart Living magazine!

We were contacted earlier this year (magazines have such long lead times to production) and were delighted with the end result and seeing our wooden printing blocks and textile paints used in such a beautiful way!

The magazine reads, “Block printed linenas are costly to buy, but surprisingly simple to make. With little more than textile paint, muslin fabric, and woodblock stamps, a personalized setting is close at hand. We went with a botanical motif, but choose whatever appeals to you.”

Artistic Artifacts wooden printing blocks and textile paints used in a Martha Stewart Living project, November 2016

Artistic Artifacts wooden printing blocks and textile paints used in a Martha Stewart Living project, November 2016

Artistic Artifacts wooden printing blocks and textile paints used in a Martha Stewart Living project, November 2016
Source attribution, Martha Stewart Living magazine, November 2016

Project designers Silke Stoddard and Tanya Graff used a palette of our Transparent Textile Paint in 15 Colonial Gold, 45 True Blue and 403 Indigo. These paints have a thick, pudding-like consistency, making them ideal for block printing. They used our foam printing mats to ensure the best prints, and printed on muslin (see sources, right)…and here’s a tip for you: we sell Nature’s Way™ by Roc-lon® muslin at just $4.00 a yard!

Blocks used in the magazine project, which includes instructions, are:

Pick up your copy of the November 2016 Martha Stewart Living to share in our “grateful spread” as well as for the usual wonderful recipes, decorating ideas and more. For our own tips on block printing, please see:

  1. Block Printing Intro
  2. Creating and Embellishing Block Printed Textiles
  3. A Sampling of Block Printed Art Quilts

Our Wide Stripes Quilt

Our enewsletter this week featured a free gift to subscribers, our Wide Stripes Batik Lap Quilt pattern — visit our Tutorials page to download your copy! (Don’t receive our enewsletter? Subscribe using the box to the right.)

Wide Stripes Batik Lap Quilt by Artistic Artifacts
Created and stitched by Chris Vinh of StitchesnQuilts, this design: fits in with any décor, from modern to traditional, and is quick and easy to put together — we love it!

Batik Tambal Exclusive Batik used in the Artistic Artifacts Wide Stripes quilt

This beauty was sewn using our Batik Tambal Exclusive Batik. Pictured right, top to bottom, are:

This pattern will be beautiful in whatever colors and patterns you love. But since one of Chris’ great gifts is the ability to pick amazing color and fabric combinations, enjoy the eye candy of the “bundles” she put together of Aborigine-designed fabrics from Australia as she was deciding on fabrics for our example.

Blue themed quartet of Australian Aborigine-designed fabrics

Above, left to right, Desert Rose Blue by Patricia Weeks; Fire Dreaming Blue by Janet Long; Untitled Blue by Nambooka and; Dropping Seeds Neutral by Roseanne Morton.

Red themed quartet of Australian Aborigine-designed fabrics

Above, top to bottom, Suklage Ash by Anna Pitjara; Fire Dreaming Red by Janet Long; Gathering Bush Tomatoes Ash by A. Nanagarri and Kangaroo in the Desert Rain Red by Judda.

Gold themed quartet of Australian Aborigine-designed fabrics

Above, top to bottom: Desert Rose Orange by Patricia Weeks; Wild Bush Honey Ant Mint by Audrey Martin Napanangka; Untitled Gold by Nambooka and Waterhole & Seeds Gold by Anna Pitjara.

To create a lap-size Wide Stripes quilt top requires just one yard each of four fabrics. We do list that if you instead choose 2½ yards of your chosen sashing/border fabric, you can complete a matching pieed backing for your quilt. Because you will have extra fabric left, including a pieced strip of your four fabrics remaining as you cut per our directions, you can create a backing so pretty your quilt is reversible! Look at the back of our sample:

Pieced backing of the Artistic Artifacts Wide Stripes Batik Quilt

Enjoy making your quilt in the colors and patterns you love best. (And we’d love it if you share photos of your work with us!)

Remember that in addition to our regular Facebook presence, we have set up Artistic Artifacts’ Creative Minds, a Facebook group that’s a virtual extension of Judy’s Altered Minds (JAMs, which meets monthly in the shop). On Facebook group members — art quilters, collage artists, art journal keepers, surface design enthusiasts, paper crafters, assemblage & art doll artists, and more from all over the US and beyond — have a place to share ideas and projects with one another. Representing all levels of expertise, this is a online home for our Creative Minds to encourage and support like-minded friends. Join Us!