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WonderFil Threaducation!

Artistic Artifacts owner Judy Gula is enjoying her time in sunny California at the WonderFil Education Center Summit…

Judy Gula, owner of Artistic Artifacts, participating in the WonderFil Specialty Threads Education Summit

…as is perhaps obvious from the big smile on her face in the photo above! It was taken by her friend Liz Kettle of Textile Evolution, another attendee at the Summit. Liz (pictured below), a certified “Threaducator” with WonderFil, will be visiting Artistic Artifacts in June for her 4-day creative retreat, Stitch Journeys. Suitable for beginners, attendees gain mastery of their sewing machine and develop the confidence to tackle any kind of specialty thread and tame their tension fears as they create a sample fabric workbook that serves as a permanent, creative reference tool. This is her only time teaching on the East Coast this year, so if you can, plan your vacation around traveling to Virginia and attending!

Liz Kettle of Textile Evolution participating in the WonderFil Specialty Threads Education Summit

Judy and Liz are collaborating in the development of an upcoming Threaducation Center class.

Handpainted batik panel by Rusli, enhanced with machine quilting and thread painting using both Konfetti™ and Tutti™ threads by WonderFil

They used a handpainted batik panel by Rusli, which is enhanced with machine quilting and thread painting using both Konfetti™ and Tutti™ threads by WonderFil. Konfetti and Tutti are both 50wt, 3ply 100% long staple Egyptian cotton threads that are double-gassed (burning off the lint from the thread two times) and mercerized to create a soft, clean, and lustrous finish.

Handpainted batik panel by Rusli, enhanced with machine quilting and thread painting using Konfetti™ thread by WonderFil

Additional detail views above and below.

Handpainted batik panel by Rusli, enhanced with machine quilting and thread painting using Tutti™ thread by WonderFil

Below is Judy’s favorite thread sampler, posted on the Artistic Artifacts Facebook page. When she returns we’ll have to get the details from her!

Judy Gula's favorite WonderFil thread sampler

More Threaducation going on…

The WonderFil Specialty Threads Education Summit

But you know fiber artists…even after a full day of studying, they are still up for more fun! You can see Liz and Judy, plus Bernadette Kent and Alicia Campbell in the background of this selfie taken by Libby Williamson of Blue Denim Design at The Dragonfly Shops & Gardens in Orange, CA.

Fiber artists having fun at the Blue Denim Studio at The Dragonfly Shops & Gardens in Orange, CA

They were busy having fun with block printing and thermofax printing on fabric. Judy never misses the opportunity to share her love of wooden printing blocks!

Those of you close to Artistic Artifacts can further your own Threaducation! Join us on Friday, March 24 for Finding Your Voice, a lecture by WonderFil Threaducator Kay Capps Cross. She promises that “We will relax and learn ways to release our inner creativity and express ourselves through our quilts. Art quilts, experiments, free associations, or whatever we call our pieces, they are a window to what is inside of us. With a little confidence, our voice will be heard.”

Kay Kapps Cross quilt stitched with WonderFil Specialty Threads

And on Saturday, March 25, we are delighted that Kay (who quilted the above beauty as she demonstrated various WonderFil threads during the recent AQS show) will be sharing her knowledge during our exciting WonderFil Boutique Show & Tell event. Sponsored by WonderFil™ Specialty Threads, we will hold two complimentary seatings, morning and afternoon, of this inspiring and informational session. Get inspired with samples of threadwork and demos using the many specialty threads by WonderFil! Reservations are required as seating is limited, so don’t delay and claim your spot!

Stitched Photo Quiltlets

Photo stitched quiltlets, a holiday gift to my son, nephew and nieces

A number of years ago I took a photo of my son Kyle with his cousins Meghan, Carleigh and Reid (my brother Scott’s children) during an ice skating outing, and it has always been a favorite of mine…and I always intended to use it in my art and share it with each of them. Now that they are all young adults, this past holiday season was finally the year!

My first step was to print the photograph out on EQ Printables Premium Cotton Lawn Inkjet Fabric. I fit two images per sheet. I then used Mistyfuse, my favorite fusible (so sheer and lightweight) to fuse the images to Pellon Heavyweight Stabilizer.

Emphasizing the children by stitching over the photo's background

Since I wanted the kids to be the focal point, I decided to stitch the background out using Fruitti™ by WonderFil, a 12 weight cotton thread. First, I stitched an outline of the group, and then I went back in and added freeform vertical lines to eliminate the distraction of the photo’s background. The thickness of the thread gave me the look I wanted, and I choose one of the more subtle of the variegated colors available to add additional interest without pulling attention away from these adorable kids.

Trimming corners to lessen bulk once turned

I created a small quilt to stitch my photos to, using the Pillowcase Turn method. You can download a free instructional PDF on this technique from Susan Brubaker Knapp’s website…she writes it’s “the fastest and easiest technique for finishing an art quilt.” Above, trimming the corners to lessen the bulk once the “pillowcase” is turned.

Small slit to enable the pillowcase turn method

Above, a small slit is necessary to enable the pillowcase turn method. My fabric label, shown at the bottom of this post, is fused on and hides it.

Satin stitching around the photo

For some of the quiltlets, I used a satin-stitch around the photo (above)…

Zig zag stitching around the photo

…for others, just a simple zig zag finish.

Pockets hold a dowel for hanging the quiltlet

I wanted to make it easy on the recipients to be able to hang these up for display, so I added triangle pockets to the back, which hold a lightweight dowel. As these are small and lightweight, they really can hang with just a pushpin! There are a lot of tutorials out there on this easy process — try this one.

I loved popped these in the mail this holiday season and imagining the smiles as they were unwrapped — grab a favorite photo of your own and turn it into an art quilt, for yourself or for others to display.

Pretty Little Bits….

Diane Herbort teaching Baubles, Dangles & Beads  at Artistic Artifacts in Alexandria, VA

Diane Herbort is visiting Artistic Artifacts (standing, above), teaching her Baubles, Dangles & Beads class. As she unpacked her supplies and samples setting up for class, we couldn’t help but snap a few quick photos of her artful bits and pieces.

Diane Herbort supplies for her Baubles, Dangles & Beads class

From her website: “Traditional needle arts, always considered ‘women’s arts,’ are important to me, both as a source of inspiration and as skills that I can use and adapt to tell my story. I think of my quilts and collages as being sister artworks. They are all assembled from the same things: textiles, paper, embellishments and memories.”

Diane Herbort supplies for her Baubles, Dangles & Beads class

“Being an unreformed collector, I gather bits and pieces that help me touch the past. Old postcards, buttons and bits of lace often become a part of my art. Other times, I simply need to have them around me. They possess a sense of age and mystery, of stories grasped only in fragmentary form, that I hope my work also holds.”

Stitched and embellished heart detail from a quilt by Diane Herbort

Diane will be teaching similar methods in her Crazy Techniques class on Saturday, October 8: “Start a small quilt or evening bag while exploring the ins and outs of crazy quilting. This versatile technique lends itself to a wide range of fabrics, plain or fancy…If you enjoy enriching the surface, machine or hand embroidery, beading and just about any other type of embellishment are all possibilities.“ Join us if you can!

Retro fabric panel beaded and embellished by Diane Herbort
Hand-stitched and embellished cases by Diane Herbort

Diane posts beautiful inspiration photos on her website each week, writing wonderful prose about each. Visit and enjoy!

Detail, embellished art quilt by Diane Herbort

Artistic Artifacts at the Play Therapy Conference

Artistic Artifacts merchandise at the Play Therapy Training Institute conference

Artistic Artifacts is back this weekend with the Mid-Atlantic Play Therapy Training Institute, taking place this weekend (June 10-12) at the Crystal City Marriott. Highlighting the use of the Creative Arts, this is a continuing education opportunity for play therapists, arts educators, psychologists, social workers, counselors and more. The goals of the training institute are to introduce leading-edge play therapy strategies; explore best-practices in working with children and their families and demonstrate the value of integrating expressive arts and other approaches.

Artistic Artifacts merchandise at the Play Therapy Training Institute conference
Artistic Artifacts merchandise at the Play Therapy Training Institute conference
Selecting fabric to use in the creation of an ATC

Those that dedicate themselves to this rewarding work are usually artists themselves, so each year we bring in a sampling of our fiber and mixed media supplies for them, like the creative books, Sandra Evertson’s Relics & Artifacts (new designs coming this week in our enewsletter!) wooden printing blocks, Gelli Arts Gel Printing Plates and more in the photos above.

But we’re probably best known for setting up a creative workstation where attendees can create Artist Trading Cards (ATCs) while experimenting with various pens and ink pads, Gelatos, surface design techniques and more.

Lani Gerity Glanville is an artist/art therapist/writer/puppetmaker from Nova Scotia. She posted the image below on Facebook earlier this year, writing, “I’m working on the Zine for participants of my workshop at the Mid-Atlantic Play Therapy Training Institute.” Her class at the conference was titled: Master Class Visual Art Journaling for Teens & Adults in Treatment: Creative, Messy, Contained, a day long session to demonstrate to practitioners, “a way to present art journaling in your therapy groups or in individual work. We will be using simple office supplies and collage materials to create journals and then using a variety of ‘directives’ we will explore art journaling as a way of building strength, resiliency, and self-care.”

Collage art by Lani Gerity Glanville for Visual Art Journaling for Teens & Adults in Treatment: Creative, Messy, Contained at Fourth Annual Mid-Atlantic Play Therapy Training Institute

Collage art by Lani Gerity Glanville for Visual Art Journaling for Teens & Adults in Treatment: Creative, Messy, Contained at Fourth Annual Mid-Atlantic Play Therapy Training Institute

Lani has several beautiful websites! In writing about her preparation this class, she notes, “Over the past few years, I’ve been creating and posting morning pages every day on FaceBook and my blog, 14 Secrets for a Happy Artist’s Life. Here’s what I have learned so far.”

  • If you practice something every day, you get better at it.
  • If you practice something which encourages thought and reflection every day, you become more thoughtful.
  • If you practice something which makes you happy every day, you get happier every day.

This is certainly sound advice for anyone!

Making ATCs at the Play Therapy Training Institute conference

Above, an attendee at the conference uses a Pearl Pen to accent her ATC.

Also from Lani, we were also struck by this statement:

“As a student, I used to wonder why Edith Kramer, art therapy pioneer, repeatedly encouraged us to create art every day. She also encouraged us to keep a journal for things we were learning, for the ideas and questions that come to us. She suggested that these activities, if engaged in fully, would help us grow into our best selves, that we would be able to see our strengths and resilience unfold. There are a lot of intrinsic rewards built into utilizing our inner strengths, and nothing that promotes freedom, independence, and a sense of self worth better than the realization that we have the power to create our own inner satisfaction and intrinsic rewards.”

Left, creating ATCs at the Play Therapy Institute, right, close-up of ATC by Kelsey Grandy

Left, creating ATCs at the Play Therapy Institute, right, close-up of ATC by Kelsey Grandy, Artistic Artifacts volunteer.

Keep on creating art everyday!

A Look Inside My Leighanna Light Journal

Textured canvas journal made by Judy Gula in a class led by Leighanna Light.

We were happy to welcome the very talented Leighanna Light to Artistic Artifacts at the beginning of the month. Leighanna lives in Taos, New Mexico, but squeezed in a couple of classes with us before heading to a vacation on the Outer Banks. And we’re so glad she did! On Thursday, May 5 we held her Faux Etching/Surface Design on Metal class — Leighanna has developed a technique for creating an etched look to metal surfaces without the toxic chemicals, and the student work was spectacular…you will probably be seeing some featured here or on our Facebook page. Then on Friday and Saturday (May 6–7) she taught her “Lily’s Book,” which is subtitled Charming Canvas Book with Pockets. I took this class myself, and wow, what a treat!

Shared below is a gallery of pictures of many of my book’s pages. We all began with a large piece of gessoed canvas and then just had a great time with all of Leighanna’s surface design techniques. We used texture gels, gesso, plaster, molding paste and ink to create fabulous backgrounds and pages, added tabs, pockets, flaps, and more. Even as a student I couldn’t keep my own teaching hat off, so I pulled out wooden printing blocks for everyone to use, showed off using Paper Solvy to transfer photos, and more. It was an amazing two days and everyone’s books turned out full of gorgeous texture and color!

I’ve enjoyed adding to it post-class, adding special ephemera and bits. I included of fabrics and textiles I had rusted (Artistic Artifacts sells scrap packs of fabric I’ve rusted).

We hope to host Leighanna again, so keep your eye on our classes page…you won’t regret spending time with her!

Layering Paint for Depth and Interest

This weekend I’m teaching my “How Do I Use This?” Meets the Art Journal Page class. Most of the first day is taken up with creating the backgrounds on pages we will bind into a custom art journal, and one of the first points I emphasize is the need to work in layers in order to create depth, texture and visual interest.

The same concept is utilized in my A View to My Heart class (coming again this September), and I realized I hadn’t yet shared photos of the most recent session.

The focal point of this class are the Relics & Artifacts matte resin castings designed by the talented Sandra Evertson. (FYI, we’re awaiting a shipment of new designs of this gorgeous line: if you aren’t already receiving our weekly enewsletter, subscribe so you will get first notice of their arrival!)

Using found papers to collage the bases for our shrines

One way to ensure a layered look with depth is to begin with a collaged background. In the example above, found papers such as book text, map pages, sheet music and more are torn and added to a wooden base with matte medium.

Adding the first layers of paint

While we used a variety of paint in this class, everyone loved using the Silks Acrylic Glazes. These smooth paints contain mica for iridescence and are available in a wide variety of colors.

Silks Acrylic Glazes are translucent for beautiful layering effects

Because the Silks are translucent, our collaged backgrounds peek through. Silks layer beautifully with extra coats; one of their selling points is that you never get “mud” when painting one color atop another, even if they are opposites.

All Supplies/Full Kit Provided for A View to My Heart, an Artistic Artifacts class led by  Judy Gula

We added complementary and contrasting colors to add another layer and visual interest.

Students create a lovely shrine/altar using the beautiful Relics and Artifacts line of craft blanks by Sandra Evertson

Metallic paints help add interest to the dark brown paint

Several chose to add metallic color for highlights and to lighten dark colors.

Silks Acrylic Glazes include mica, giving them a wonderful iridescence

One of the wood plaques available had the ‘flaw’ of a large, dark knotty grain running along the edge (below photo). This student made it a part of her design, to great effect!

Taking advantage of a large, dark knotty grain running along the edge of the plaque to add a natural look

The Relics and Artifacts pieces take paint beautifully. No matter what color theme the students chose to work with, the results were gorgeous!

Relics and Artifacts pieces are easy to paint or embellish

To add metallic color or to highlight edges and design elements, we also used Inka Gold metallic rubs. Don’t let the name fool you: these are available in more than 20 colors!

Using Inka Gold metallic rubs to add color and highlights

After starting with a blue base layer (seen in the second photo of this post), my student Kelsey Grandy worked her way up to beautiful purple/violet tones by layering and blending her colors (photo below).

A gorgeous shade of purple created by layering several colors of Silks Acrylic Glazes

Adding layers continues right to the end of a project. Below, my student Joan Grandy wanted to use the rusted, flattened bottle cap (a sentimental object) in her shrine, but was going to leave it out as she thought it didn’t fit with the color scheme. I taught her that by adding the complement of blue, orange, in the form of a rust effect the balance she wanted would be achieved… and it would distress her elegant assemblage a bit so that the look of the cap wouldn’t be out of place. We made the rust even more authentic by using Rusty for Paper by Viva.

Finished art by Joan Grandy from A View to My Heart, an Artistic Artifacts class led by Judy Gula using the beautiful Relics and Artifacts line of craft blanks by Sandra Evertson

More finished student work. All different, and all wonderful!

Finished student work from A View to My Heart, an Artistic Artifacts class led by Judy Gula using the beautiful Relics and Artifacts line of craft blanks by Sandra Evertson

The below steampunk-inspired art is by Sharon McDonagh, who had left room for the stamped inscription and added more embellishments at home after the class.

from A View to My Heart, an Artistic Artifacts class led by Judy Gula using the beautiful Relics and Artifacts line of craft blanks by Sandra Evertson

Below, Kelsey Grandy’s finished art.

Finished art by Kelsey Grandy from A View to My Heart, an Artistic Artifacts class led by Judy Gula using the beautiful Relics and Artifacts line of craft blanks by Sandra Evertson

As noted, I’m going to be teaching A View to My Heart again on September 10 so I hope some of you can join me!

Fabric Collage Photo Book

Fabric collage photo book by Judy Gula, standing in 3-D

Click on the above photo for a larger view.

Cover of fabric collage photo book by Judy GulaIt is pretty well-known in my family (and friends) that I love vintage photos and their stories. My fabric collage book has been created using photographs that came from my cousin Mary of her mother.

Part of the story is sad — Mary’s mother had an older sibling that unfortunately had passed away without any photographs ever being taken. So when Mary’s mother was born, her parents took lots of photographs of her.

The agreement was that I would scan all of Mary’s photos and in exchange for a DVD of the scans, I would be able to use them in my art…cool deal! (Mary also received a fabric collage book of her own as a surprise.)

My posting today is more of a show and tell than a full-on “how to” tutorial, but I hope it inspires you! You can also take a look at our 2011 tutorial, A Marvelous Memory Book by Liz Kettle, with instructions on creating another version of a fabric photo book, to get you started.

Fabric collage photo book by Judy Gula, inside pages

Detail, fabric collage photo book page by Judy Gula

Fabric collage books are a great place to use up scraps of ribbon and trim, and to try out the fancy stitches on your sewing machine (detail photo above). I love the way the bold print of the fabric “peeks” through her coat and leggings.

Fabric collage photo book by Judy Gula, inside pages

Fabric collage photo book by Judy Gula, inside pages

Detail, fabric collage photo book page by Judy Gula

Above, vintage buttons are the perfect embellishments.

Detail, fabric collage photo book page by Judy Gula

Above, I couldn’t resist adding wings to this sweet little face!

This fabric collage book is designed to be three-dimensional: it can stand (see photo at top), hung on a wall, or enjoyed as an accordian-folded book.

When creating a fabric collage book I generally use the following products:

  • EQ Printables Premium Cotton Lawn Inkjet Fabric — This is a high quality, tightly woven paper backed fabric sheet that can be run through your computer printer to reproduce photographs for quilting projects. The tighter the fabric weave, the more details that you can get on the fabric. The product is pretreated to ensure the archival quality of the photos and gives you beautiful, reliable results.
  • Heavy Duty Stabilizer — I use whatever I have on hand, whether double-sided fusible or not; Pellon 805 Wonder Under Web is the choice we have for the store. (You might find that a lightweight fusible is enough, and because our Lite Steam-A-Seam 2 has a repositionable adhesive, you can experiment with your design and how the fabric scraps are placed before fusing it permanently.)
  • Mistyfuse — this fusible is so lightweight that I can even fuse lace in place quickly and with no adhesive showing.
  • Non-stick Ironing and Craft Sheet — invaluable to use when working with any fusible. We carry Goddess Sheets in various sizes, and The Bo-Nash Amazing Sheet…I have multiples (brands and quantities) of these types of craft sheets and simply wouldn’t be without them!
  • Vintage Fabric and Linens — if you don’t have these in your stash and you want to create a similar look, we offer “scrap packs”of Vintage Linens and Creams/Pales Silks: these are the perfect size for a fiber collage project.

Cover, fabric collage photo book by Judy GulaThe following photos are of the book I gifted to Mary.

Both of these fabric collage books featured in this posting have the photos on one side of the page. Each reverse/back side is covered in fabric, trims and stitching to create a finished book no matter how the book is displayed or viewed.

Another fabric collage photo book is in my future: I was just gifted with several vintage photo albums that include photos from the Pacific Northwest in the early 1900’s. I can’t wait to begin working with these treasures!

Fabric collage photo book by Judy Gula, photo side

Click on either photo to view larger: gift book opened and gift book back.

Fabric collage photo book by Judy Gula, reverse side

How Do You Organize Ephemera?

Ephemera — do you have enough? Do you do both paper and fabric? How do you organize your finds?

I have been struggling to organize my ephemera in a usable fashion. I have a printer cabinet located in my utility room that contains 20 drawers filled with vintage ephemera … I rarely dive through its contents. I have 3 IKEA bins overflowing that I have been tryingto put into 12×12” clear folders, and sleeves.

If you have any suggestions on how to store ephemera in a user-friendly way, please leave a comment below. In return, your name will be entered into a drawing for a special ephemera package from my studio.

Why all this talk of usable storage? The goal was to clean off my studio work table of all the glue and paint, in order to have the space to use for fabric. I have been trying to catch up on creating journal pages for our round robin and I have been on a card making kick.

Woven paper and ephemera greeting cards created by Judy Gula of Artistic Artifacts

So to finish up this project, did I dig deep and pull out any of my stored ephemera? Nope! What I find myself really using are pint-size plastic bags that contain everything I have scraped off my table! Any scrap goes into a bag, because for sure I can’t toss it in the garbage… it might be usable!

Woven paper and ephemera greeting cards created by Judy Gula of Artistic Artifacts

In a previous blog posting, I wrote about how I created these cards. I still had more woven paper strips and wanted/felt I had to use them, so I went back and selected some additional vintage portraits to use.

Woven paper and ephemera greeting cards created by Judy Gula of Artistic Artifacts

Last year in December I created mixed media collage cards (view post) using bright paints and vintage/retro sewing pattern illustrations, and I’ve made more in this style too.

Monoprints/vintage sewing pattern collaged cards by Judy Gula of Artistic Artifacts

The backgrounds of the sewing pattern cards were printed on my 5" x 7" Gelli Arts Gel Printing Plate, and stamped using the great full page sized stamps by The Backporch Artessa (Kari McKnight Holbrook).

Monoprints/vintage sewing pattern collaged cards by Judy Gula of Artistic Artifacts

Since our weather forecast for Christmas Eve is temperatures breaking a record and reaching the high 70s, maybe these are actually seasonal after all!

Wishing you the same sentiments as one of the vintage ephemera downloads offered in our most recent enewsletter: a holiday season filled with prosperity, health and happiness!

Please leave me a comment about your ephemera stash, your organization tips, etc. You might be the lucky winner of a package from my studio to add to your collection!

Collaged greeting cards by Judy Gula of Artistic Artifacts

Woven Paper

Artwork created by Theresa Martin

I’m fortunate to have the opportunity to meet talented artists across the country in my travels, as well as many who live locally. I have the above artwork on the wall above my computer in the shop, where I see and enjoy it every day. Created by artist Theresa Martin (who will be with us in the Annex this weekend for the Open House and Pop Up Holiday Market selling some of her amazing artwork), it is my inspiration for this week’s blog. Theresa is a Paper Whimsy designer and used one of their gorgeous images and used a variety of metallic pens to doodle on black paper that she cut into strips and wove.

And whether at home or traveling, one of my favorite places goes by different names depending on where you are: “dog pounds,” swap stop, freebie table, etc. We have one every month when our JAMs group meets, and it’s great to see the adage “one person’s trash is another person’s treasure” in action. While in Virginia Beach for Art & Soul, I found both white and black papers already cut into 1"-2" strips on a free table….and I snagged them. What artist Catherine Anderson had used them for, or trimmed them off of originally, I have no idea.

So, Theresa has provided the starting point of inspiration, and Catherine donated some of the supplies for my latest playtime experiment.

Black paper strips doodled with white gel pen

I used my super fantastic white Uni-ball Signo Broad Gel Pen to doodle on the cut black strips. I actually found that the smaller size paper was easier for me to doodle on…less intimidating: I don’t think I would have the patience to face a whole 8½" x 11" sheet!

The white strips were printed using my 5" x 7" Gelli Arts Gel Printing Plate, rubbing plates from Cedar Canyon, various paints and a brayer. (I have to admit that it would have been faster if I had the larger 8×10 size with me, but I was not deterred!)

Paint brayered onto a Gelli Arts Gel Printing Plate and impressed with a Rubbing Plate for texture

I brayered my paint onto the gelli plate, then stamped the rubbing plate (above, the impression left by one of the Op Art plates) into the paint, lifted the plate off and laid the strips of paper side by side onto the plate and gently rubbed to transfer the paint. Because of the size of the strips, I picked the plates, such as Triangles, that have smaller patterns. I repeated the process and flipped the strips as needed to cover the one side completely.

Gelli Printed white paper strips

Before beginning to weave my strips together, I cut them all into narrower widths. Below are my completed woven paper pieces. What to do with them now? Have to tune in next week to see!

Woven paper by Judy Gula of Artistic Artifacts

Guest Blogger Lisa Chin Visits Artistic Artifacts

In September the talented textile artist Lisa Chin, a fellow member of the Printed Fabric Bee, visited Artistic Artifacts for the first time. She wrote the nicest blog post about her visit — and she is serving as as a guest blogger and letting us reprint it for us below! I love the beautiful photographs she took — thank you Lisa! (With the gorgeous fall color we’re experiencing, take a look at her website’s tutorial Gelli Plate Printing with Leaves and create a permanent memory!)

A Tour of Artistic Artifacts Brick and Mortar Store, Alexandria VA

by guest blogger Lisa Chin

[Recently] while I was in DC, I stopped at Artistic Artifacts. Artistic Artifacts is a quilt/mixed media shop and it was HEAVENLY! I got there a little late in the day and really didn’t have the time to inspect everything closely. I know I will be returning when I am in the DC area. Let me give you a little tour of the shop:

Panorama shot from the front of the shop.

Beautiful batiks.

Gorgeous papers.

I’m still kicking myself that I didn’t buy some of Seth Apter’s stamps.

I don’t know if the sewing machines are for sale or just for show but I LOVE them!

Lots and lots of beautiful paints.

I bought a nice selection to try out.

These cigar boxes remind me of my grandfather.

Folding yardsticks!

Lovely vintage photos to include in your art work.

LOTS and LOTS of Tjaps for batiking or enjoying.

And a great big wall of stencils.

And this is just a small part of the shop. I didn’t take photos of the wall of beautiful fabrics, the racks of vintage papers, game pieces, game boards, threads, dyed linens and so much more!

If you are ever in the DC area make sure you make time to travel the short distance to Alexandria and see Artistic Artifacts. If you don’t have a car, you can take the Blue line on the Metro to the Van Dorn St. stop and walk the 3/4 of a mile down Eisenhower Avenue to the shop, which is what I did!

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