In preparation for our annual Open House weekend, held on December 1-3, 2017, the staff of Artistic Artifacts decided to make Christmas stockings (which were stuffed with product) to go to the winners of a random drawing. We planned to use the same pattern for consistency but to each use different fabrics or techniques to showcase different Artistic Artifacts products.
Above, Artistic Artifacts owner Judy Gula challenged herself to just use scraps from her stash — predominately Australian Aborgine-designed prints, with some fun modern cottons mixed in.
Below, Judy’s sister Julie Middleton used traditional red and green colors, but twisted tradition by using our own Batik Tambal Exclusive Batiks.
Below, Julie made her stocking reversible by concentrating her patchwork to a specific color. She used Velvet Rick Rack to embellish the cuff — a perfect finishing touch!
Above, Chris Vinh used Effervescence Border, Fiesta for her stocking. She used the contrasting border design portion of the fabric for her cuff and thought she might add some hand-stitching… but the exuberant print and colors on their own were so beautiful she decided she was done!
Above, Denise Reuter selected a cool color palette and used a variety of fabrics: our batiks, Australian, bits of Tim Holtz and Frond Design Studios fabrics. Her stocking is another that can hang in either direction, as both sides are beautiful. The wonderful blue faux fur cuff was a lucky find among the materials on the “free table” featured at each JAMs (Judy’s Altered Minds) meeting — our next is Sunday, December 17.
Of course, our in-house BERNINA expert couldn’t consider her stocking done until she had added beautiful machine embroidery — detail pictured above. She used a built-in snowflake design and hooped it on the B790, using WonderFil’s Spotlite metallic thread in 8831 Ice Blue.
Above, Sharon McDonagh decided to represent the mixed media side of the business. She created a paper-cloth base of tissue over muslin, colored with Artistic Artifacts Fluid Textile Paints and Gelatos and Wooden Printing Blocks accents.
How We Did It
We found a Christmas Stocking Pattern & “How To” on the Stitchin’ Post blog from an online search. After printing out the template pages and taping it together, we felt it was too large for our needs, so we cut some off from the top of the stocking, and also shortened the toe by tracing a round tin a couple inches in and correcting the edges.
We then transferred our new shape onto chipboard (pictured above right) to make it more durable for multiple tracings.
Although our original pattern link contained a how-to, Chris discovered this Christmas Stocking Tutorial on the FabricWorm site and used it since it included instructions for incorporating a cuff. As the first one to complete her stocking, everyone else followed suit.
Above, Chris used Pomegranate Squared Elements for her lining — a beautiful contrast to her base fabric.
Above, Sharon began with a piece of Nature’s Way™ UNBLEACHED by Roc-lon® muslin and layered printed tissue and papers such as those found in our Found Paper & Collage Packs — book text, sheet music, maps, etc. You can download a PDF tutorial Making Fabric from Paper by Beryl Taylor from the Cloth Paper Scissors blog for complete how-to’s — the article appeared in the very first issue of the magazine.
Above, Sharon layering color and block prints onto the paper cloth. Below left, she adds the seam allowance to the reverse of her paper cloth. While it stitches easily, she attached her cuff section as a separate element. Below right, she uses the Uni-ball Signo Broad Gel Pen in white to add embellishing to her cuff block print. If you register for Noir Magic — Lettering, Flora and Fauna with theresa mARTin the next time the class is held at the shop, you will learn how critical a tool this pen is!
We hope these ideas have inspired all of you to create your own! Our lucky winners, randomly drawn were Ann Kuipers, Sharon Rosenblatt, Judy Seitz, Susan Stelow and Ursula Yeo. Congratulations, ladies!