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Why Do I Need a Round Gelli Plate?

As I watch the different sizes of Gelli Arts™ Gel Printing Plate arrive in the shop, I wonder why we need different shapes and sizes. Do I really need one of each size?

Well, after experimenting, I must say yes. Especially to the 8" x 8" Round plate! Why? Because!

Gathering my supplies:


p style=”text-align: left;”>On my Gel Printing Plate I have placed three different colors of paint. After dabbing them on, I use a brayer to even out the coat of paint on the plate.

blobs of paint applied to gel printing plate

When brayering, sometimes you will see the colors stay somewhat distinctive; other times they blend together to create a completely new color, as in the below example.

brayered paint blended together and evenly distributed on the plate

Cedar Canyon Rubbing Plates are sold in sets of six and are created from a lightweight black plastic that is deeply embossed with patterns. They are available in a number of designs; pictured below is Op Art.

Op Art Rubbing Plates sold by Artistic Artifacts

Select a rubbing plate, and lightly press it onto the paint-covered gel printing plate surface, then and lift straight up. Below is the plate with paint “removed” from one of the rubbing plates from the Doodles set.

paint removed by impressing gel printing plate with a Doodles Rubbing Plate

Pick up your printing plate and place it face down atop one of your journal pages. Notice below how I have offset it so it “bleeds” off the edge of the page.

paint-loaded Gel Printing Plate placed on journal page

Press lightly across the plate, then lift it gently off your journal. (You could also leave the plate in place and press your journal, paper or fabric down onto it.)

offset Gel Printing Plate print on journal page

Below, I added another circle to the same page.

Another circular print layered atop the first

Another rubbing plate print, this one of the plates from the Floral Fantasy set… does it look like it is twirling to you?

Loaded plate and journal print

Below, the gel printing plate coated with paint and my free-handing a design.

paint-covered plate with free-hand design

I think I need additional practice with free-hand pattern making.

Journal print of free-hand plate

Another great tool to use with gelli plates are stencils. In this example I used a large 12" x 12", which allows me to continue the pattern right up to and over the edge.

Using a stencil on the gel printing plate
Stenciled monoprint

Here are three green monoprints, all using the same stencil. Of the two that are pictured below, I think the one on the left had too much paint applied to the Gel Printing Plate.

It does take some trial and error time and practice to get the application of paint onto the plate correct. But it’s not exactly torture to spend time playing!

Two versions of a stenciled monoprint

Up to this point I haven’t written about the paint I am using. Silks Acrylic Glazes have a high mica formulation and give you a nice finish shine …not too much, but just right. They are translucent and designed to blend over any other Silks shade without going muddy.

Silks Acrylic Glazes used to monoprint

The other cool thing about these paints is that once dry, they act as a resist to combining with Twinkling H20’s, which are a watercolor. Again, the colors stay true and jewel-like. Below is the above print with the addition of additional Silks and Twinkling H20’s.

monoprint journal page accented with Twinkling H20's

I began thinking that the leaf print from the stencil was blending in a bit too much (but not muddy, right?) and wanted to bring it back to the surface. So I pulled out a new favorite white pen, the Gelly Roll Soufflé Opaque Puffy Ink Pen, to hand-trace the pattern. (This is one of the pens we will be experimenting with tomorrow night (Thursday, September 18) during our monthly “How Do I Use This?” demonstrations and play-time.)

So, I have I talked you into “needing” a round Gel Printing Plate too? If you’re interested in exploring monoprinting, I heartily recommend our upcoming class, Gelli Printing on Paper with Susan Gantz. Susan is an amazing teacher who loves to share her enthusiasm for this amazing art form. Plates, paints and more are provided, and we have heard nothing but raves about this class…every student walks out with a sheaf of amazing monoprints we all oooh and ahhh over!

Stenciled monoprints on sheet music

3 Comments to “Why Do I Need a Round Gelli Plate?”

  1. Lynne Sward

    Hi Judy,
    I have written before, but no response, and I understand, because I’m sure you’re busy getting ready for Va. Beach Art and Soul. Will you be bringing the round jelly plate and the other items used above for the store? Pretty, please I wish I could take Susan’s class, but there’s too much going on in my life, see you soon,
    cheers, Lynne Sward

    Reply
    • Judy Post author

      Lynne, yes, I’ll have all the sizes and shapes of the Gelli Arts Gel Printing Plates, the rubbing plates, the Silks Acrylic Glazes and of course much more stocked in the on-site shop at Art & Soul. See you there!

      Reply
  2. Susan Gantz

    Delighted to see your prints. It is raining buckets this morning, and so a good time to put away all my stuff from the amazing week at Art and Soul. I hope to print some too. Try putting your Gelli on a sheet of plexi (or glass. It will stick to it, and it makes it easier to turn the plate over to use it like a stamp. I haven
    t tried this with my 11×14 plate, but it works with all the others. Happy printing.

    Reply

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