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Fabric Postcards Received: I’m Still Trading!

After sharing my process for making fabric postcards and offering to trade, I’ve had requests to share the results. Hope you enjoy seeing examples of what arrived in the mail (and a couple other artful cards) as much as I have!

postcard received from Lora in Texas

Above, received from Lora in Texas, who wrote that she has a “zillion” postcards piled up and was so happy to trade. She also noted that this is a photo of her from grade school in her Halloween costume! It’s a great example of prepared fabric products that can be used for text and photographs.

Postcard received from Sherry

Sherry in Florida mailed me this one. The colors and fabrics together are so charming.

Postcard from Ray

This postcard is from Ray — I love the little swirl!

Postcard from Peggy

This wonderful postcard received from Peggy in Texas is great reminder to smile each day. She also emailed me after receiving mine: “Judy, what a fun surprise today receive your beautiful postcard. Am so happy mine arrived to you also… yours gives me much inspiration.
FYI, I’m the Membership Chairman for the Fiber Artists of San Antonio and just found out that one of our members, Carmen Goyette, used to frequent your shop when she lived in your area.” Carmen was a member of JAMs and everyone still misses her — turns out it’s a small world!

Peggy continued: “I was telling our group about your postcard exchange and we may be doing that amongst our members… we still can’t meet in person, but always fun to get mail. Before I found out about your exchange, I had just mailed out about 75 postcards to my family. friends, bead group friends and others.” Great job, Peggy!

Postcard from Suzanne

Suzanne Langsdorf, a favorite local Creative Mind that we miss seeing, made a star out of our WB174 Left Facing Scaled Fish Wood Block — plus I recognize other block prints in her embellished fabric collage postcard. While the other postcards featured here arrived as-is through the mail, as shown here, Suzanne handmade the envelope for hers.

Chris stitching in front of the postcard I sent her

When I wrote the original blog post, I mailed postcards to my staff and the volunteers who have helped keep us going during this pandemic. I was pleased to see Chris Vinh included my fabric postcard to her in her recent post about beginning to stitch on her new Sashiko cloth.

Postcard from Maureen

While not mailed to me, Maureen Erhardt did post this wonderful example to Facebook — she wrote that it was the result of “A black and white challenge with my sisters.”

Reverse of postcard from Maureen

Maureen included a photo of the back side of the postcard, which is pure art too!

Collaged card by Jocelyn Corderot

Not a postcard, but since I’m counting other mail art here: this #ShareonSat to our Artistic Artifacts Creative Minds Facebook group was posted by Sharon McDonagh, who was spurred by my blog: “This is a gorgeous mixed media collage card made for me by Jocelyn Corderot. I can attest to what a day-brightener a homemade card can be!”


A homemade card by Diane Mularz, who posted it responding to a recent #ShareonSat that asked for artwork with birds after the great response we had with our fish theme.

So my offer is still good: send me a handmade fabric postcard and you’ll receive one in return: watch my Creative Clip for my challenge for those interested in trading!

Making Fabric Postcards: Want to Trade?

Updated July 9, 2020: Since originally writing this post, I’ve responded to a number of requests by filming a quick tutorial for you! Please take a look and read through my steps below — you’ll see this is an easy, fun fiber project that spreads some joy into the world!

I love to make fabric postcards… and not just make, but to use and mail. Watch my recent Creative Clip for my challenge to anyone interested in a fabric postcard trade!

Fabric postcards by Judy Gula of Artistic Artifacts

Some of us only get small moments in time to play with our fabric. I am one of those people. Because of that time crunch, I have developed a system to keep fabric postcards always in progress. When I get those small amounts of time, I can immediately get to work where I previously left off. And before I know it, I’ve produced 6-12 postcards at a time!

With the current global health crisis meaning that so many must stay home to safeguard their health, I’m stamping and addressing my postcards, in the hopes that they brighten someone’s day once found in their mailbox.

Fabric postcard by Judy Gula of Artistic ArtifactsIn addition to fabric scraps, I use the following supplies when creating fabric postcards:

  • Steam-A-Seam 2 (I prefer lite version) I like this fusible because it is sticky and allows me to lay small pieces/scraps of fabric and it holds them in place. If I want to move the fabric I can pull off and replace or move. I recommend you begin with a piece that is 12 in. x 18 in.
  • Pellon Peltex 71F One-Sided Fusible — I keep the fusible side for the card stock to be applied.
  • Non-stick craft sheet — such as a Goddess Sheet or the Bo-Nash Amazing Sheet. I use the largest size I have, so that it is both under and over my fusible
  • Thread
  • 4 in. x 6 in. index cards, or card stock cut to size

First, peel back one side the Steam-A-Seam 2 fusible. I don’t remove it all the way off — I peel it as I lay down fabrics scraps.

Judy Gula uses a variety of fabric scraps, selvages, orphan blocks and more to create her fabric postcards

I apply a variety of fabric scraps, selvages, orphan blocks and more. I do like to use smaller pieces to create a collage look on the Steam-A-Seam. Fill up the sheet with your fabric scraps as seen here..

Next step is the iron the fabric to the Steam-A-Seam, using your non-stick/Teflon sheet to secure the fabric.

Then, using a piece of Pellon Peltex 71F One-Sided Fusible inthe same size as your sheet of Steam-A-Seam 2, peel the last paper off the fusible and fit it to the non-fusible size of the Peltex.

IMPORTANT: make sure that you have your non-stick Teflon sheet (if you don’t own one, substitute parchment paper) under the fusible side of the Peltex or it will stick to the ironing board… Ask me how I know!

Free-motion stitching on Judy Gula's fabric postcards

Once the fabric collage is fused to the Peltex, I then have some fun at my sewing machine. Free motion stitch the entire front of your fabric collage. Note that there is a tendency for the glue to come off on the needle; it is sticky. It hasn’t caused me problems, but next time I’m going to try the Schmetz Super Nonstick Needles.

I use this stitching time to test out new freemotion “patterns” or to practice them. I also often follow the pattern in the patterns in the fabric scraps. This is also a great time to test out any fancy stitches your machine might have programmed. Sometimes I use one color thread, sometimes multiple — and specialty threads can be fun to play with too!

Fabric collaged sheet ready to be cut into postcards

Once my sheet is completely free-motion stitched (above), I cut it into 4 in. x 6 in. pieces for the postcards. I then apply the 4 in. x 6 in. index cards (or card stock cut to size) to the back side.

Zig-zag stitching the edges of the postcard

Stitch an open zig zag stitch around the four sides of the postcard. Don’t make the zig zag stitch too close, or you’ll perforate the card stock to the point that the edge could detach or pull off.

Detail, zig-zag edge of fabric postcard

If you have a postcard stamp, use it to dress up your back. If you don’t, simply write POSTCARD on the center top of the card. Write your recipients address and add a stamp on the right side of the postcard. First class postage is all you need! Then write your message on the left and drop it into the mail.

I’d love to trade postcards with you — watch my latest Creative Clip for my challenge!

Something Fishy…

Diane Herbort Poisson d' Avril art quilt

Fiber and mixed media artist Diane Herbort created Something Fishy, her fabric and paper collage pictured above, for Cloth Paper Scissors to illustrate her 2008 article about using disperse dye to transfer images to fabric. Since it was scheduled for the March/April issue, she chose a Poisson d’Avril theme and used one of the vintage postcards she collects as her focal image.

Detail, Blue Fish Quilt by Judy Gula

Vintage and fish… easy to see the connection with Artistic Artifacts owner Judy Gula’s Blue Fish quilt (detail pictured here). Visit Using Vintage Textiles in My Blue Fish Quilt for the complete quilt photo, plus details on how Judy created it.

To celebrate April 1 we posted Diane’s beautiful work in our newsletter as well as on our Facebook page. We asked members of our Artistic Artifacts Creative Minds Facebook group to share their own “fishy” art, and we loved the responses, sharing them here for those who aren’t on Facebook. (Plus we wanted to keep this particular ‘school of fish’ together!) Enjoy the following (listed in alphabetical order by artist)… all are wonderful!

Susan Callahan fish quilt

Susan Callahan: “You asked for fish. This was my 2018 hand stitch exercise. Ten minutes a day for 365 days. Loved this piece!” It measures 17 in. high and 36 in. wide.

Mixed media fish collected by NiYa Costley in a JAMs swap

NiYa Costly referenced an exchange from a past Judy’s Altered Minds (JAMs) meeting: “Fish from one of our random swaps that I was holding onto… haven’t figured out yet how to display them.” See Linda Morgan’s piece below — she started it!

Fish cut from batik panels by Jaka center wonky log cabin quilt blocks by Judy Gula

Judy Gula: We began our “poisson d’avril” photo challenge by sharing two blocks that Judy made for a quilt tfeatured in her book Colorful Batik Panel Quilts. School of Fish is one of the projects in the book, using hand-drawn batik panels by one of our most popular batik artists, Jaka. You can see the complete quilt below, as well as in Judy’s introduction of her book.

Mahyar batik panel detail: hand stitching with Eleganza cotton by WonderFil

Judy traveled with a batik panel by Mahyar — the fanciful fish are detailed here — to embellish it with lots of hand stitching, using Eleganza pearl cotton by WonderFil Specialty Threads. The Three Sisters quilt was also featured in her book; learn and see more about it here on this blog.

Susanne Miller Jones fish quilt

Susanne Miller Jones: “Fishy theme you say: Gotta Eat.”

Bunnie Jordan fish quilt

Bunnie Jordan: “Just happen to have a fish quilt on my wall right now.”

Sharon McDonagh’s mixed media eye token as taught by theresa mARTin

Sharon McDonagh: “I enjoy Theresa mARTin classes so much I have taken them more than once. Her mixed media eye token class has always resulted in amazing student work since she generously shares so many treasures from her stash. I quickly grabbed the wonderful fish bead for my mermaid-inspired piece. I love how it turned out!”

Julie Hames Mehigan fish wall hanging

Julie Hames Mehigan: “A piece I made for a school auction. Kindergartener’s hand prints became fish. Bubbles are their initials. Made a lot of it when my Dad was in the hospital dying, so of course, I bid on it and bought it.”

We sought out Linda Morgan, writing that “we’re expecting to see the fish you made that nearly caused a riot during a JAMs exchange a few years back — talk about a feeding frenzy!”

Stitched fiber collage fish by Linda Morgan

…and she replied, “Artistic Artifacts, these guys were fun to make!”

Lynda Poole Prioleau fish bead fiber pendant

Lynda Poole Prioleau: “In keeping with the fish theme for today…Here’s a pendant I made using one of Judy Vincentz Gula’s small, dyed pieces. I added beads, a hand dyed linen backing, and, oh yeah, some fishies!”

Beth Richardson Coral Reef quilt

Beth Richardson: “For today’s theme, one of my faves. It’s called Coral Reef.”

Joni Seidenstein fish quilt

Joni Seidenstein: “Did someone say fish?” And when a fellow Creative Mind commented on the number of fish, Joni replied “I spent literal hours cutting these fish out to fuse onto this quilt. I did it when my daughter was at swim lessons. It felt quite apropos!”

Etta Stewart fish fiber collage

Etta Stewart: “I just have to add a fish or two…”

Etta Stewart fish fiber collage


…or was that more than two, Etta?

Betsy True fish art quilt

Betsy True: “This was my first art quilt, begun during a workshop with Ruth B McDowell at an Empty Spools Seminar at Asilomar, California.”

detail of art quilt by Christine Vinh

Christine Vinh: “For the fishy theme, this is a close-up of part of a quilt that was in Sacred Threads Quilts in 2017. Photos from a visit to Inle Lake in Burma and the one on burlap was done using Transfer Artist Paper. The silver fish charm was given to us by one of the children in a village we visited. The blue water is part of a silk scarf. Stitched throughout with Tentakulum threads.”

Batik panel quilt by Christine Vinh

Chris also sent us two of her quilts created using hand-drawn batik panels. Above, the focal panel is by Bambang Dharmo.

Batik panel quilt by Christine Vinh

Above, a panel from batik artist Aprat is the focal point in this modern art quilt by Chris.

We hope you have enjoyed the wide variety of fish themed art we are have shared here. We thank all who submitted their work, and hope you will thank them too — please leave a comment below!

We love when our customers and friends share their projects with us, via our Facebook page, the Artistic Artifacts Creative Minds Facebook group, or by email for those not on social media, so we hope to hear from you!

School of Fish by Judy Gula, featured in her book Colorful Batik Panel Quilts

Using Transfer Artist Paper

I was so happy to begin 2020 with Lesley Riley’s Transfer Artist Paper (also known as TAP) back in stock, available in 5-sheet and 18 sheet packs! In my most recent Creative Clips, I give you a quick demonstration on how to use TAP . TAP was always one of my favorite transfer products, and it was a real loss when manufacturing difficulties took it off the market. TAP has been completely reformulated and allows you to transfer images to virtually any surface with the heat of an iron.

In the video I use non-stick Goddess Sheet while ironing. My 13½ inch square Felted Wool Pressing Mat is a great working surface, as it absorbs the heat from the iron and sort of bounces it back to the fabric — for best results with TAP, you want both pressure and heat.

Bluebell Paper Doll, mixed media art quilt by Judy Gula of Artistic Artifacts

Above is one of my vintage inspired quilts, from 2006. Titled Bluebell Paper Doll, I used TAP to transfer a photo of the paper doll to vintage embroidered linen. I then embellished with pearls, beads and tatting.

Detail of Bluebell Paper Doll, mixed media art quilt by Judy Gula of Artistic Artifacts

Isn’t she sweet? The doll image has dimension through trapunto. The imperfections give it even more vintage character — and look at how vivid the color remains this many years later.

Below, The Lady in the Garden. The focal image was transferred onto Lutradur using TAP, and I used hand-dyed and vintage materials to complement my inspiration. Read more about the making of this quilt »

The Lady in the Garden, an art quilt by Judy Gula using hand-dyed and vintage materials

Upon the re-release of TAP, Liz Kettle of Textile Evolution shared “Good news for image transfer fanatics….the new TAP formula seems to work well! Transfers were easy and clear.”

TAP samples by Liz Kettle of Textile Evolution

Pictured above is her test on Osnaburg 100% Cotton (top) and Ava-lon Bleached Muslin (bottom). Plans are continuing for our 2020 Italian Creative Retreat in September, and Liz will be joining me this year — and we will be using TAP!

Transfer Artist Paper (TAP) on wood, image by C&T PublishingYes, as of this writing Coronovirus is scaring everyone and travel and more is being disrupted, but we remain optimistic that by fall all will be well. We are not requesting any financial deposits or transactions at this time but please let our travel consultant Lewis Gautieri know of your interest in joining our tour and retreat at info@italianculturaltours.com.

As mentioned in my video, remember that TAP sllows you to transfer images on a variety of surfaces, not just on fabric and paper. Other surfaces include wood (example with TAP tranfer is pictured here; image courtesy C&T Publishing), glass, metal, and many more.

You can also learn more about using TAP from Lesley Riley herself in this video.

Using Stripology Rulers

One of my favorite Creative Minds has authored this guest post — Chris has converted me into a Stripology fan too!

The Best Thing Since Rotary Cutters!

Guest post by Christine Vinh, StitchesnQuilts

Not being a notions junkie, I’ve limited my purchase of new sewing and quilting tools to pretty much the basics. That is, until I picked up one of the Creative Grids Stripology Rulers designed by Gundrun Erla of GE Designs to make a shop sample last year. The ruler slides easily over the fabric until pressure is applied. Then, the exclusive gripper holds the fabric in place while cutting through the slits in the marked increments, eliminating slipping and miss-cuts!

Emma quilt pattern designed by Gundrun Erla of GE Designs, cut using the Creative Grids Stripology rulers

Combining the precision butting using the rulers with the well written patterns by Gundrun means I can no longer claim that I cannot cut or sew a straight line. Above is my Emma quilt — I would have never considered the Emma quilt pattern if I had not already had success following the very clear instructions with great visuals on ruler placement for the cutting instructions! I didn’t realize I had forgotten to turn alternating blocks, but like how they mimic the hummingbird’s spread wings — fabric by Valori Wells. I used some Victoria Findley Wolfe fabric in this quilt too.

Use the Stripology rulers to cut yardage into popular precut charm square sizes

Stripology rulers are available in several sizes and configurations. You can cut full-width fabric and fat quarters into the most popular pre-cuts on the market, 1½ and 2½ inch strips; 5 and 10 inch charm squares. There’s no math required — simply follow the easy-to-read markings: squares for 2 inch cuts, and stars for 1 in. cuts! Above, the Stripology Squared Ruler cutting 10 inch squares of batik.

Use the Stripology rulers to precisely cut your fabric for piecing.

The Clarissa quilt pattern by GE Designs

Above, Stripology XL Quilt Ruler lined up to cut strips from Art Excursion, New Life fabric designed by Denise Burkitt.

Shown here, the Clarissa quilt pattern, sewn with Wild Acres by Victoria Findley Wolfe fabric and a bit of Uppercase Volume 3. I used the Stripology Squared ruler, which includes markings to square up half-square triangles, quarter-square triangles, and blocks up to 12 inch. While Clarissa calls for assorted 10 inch square precuts (plus an accent fabric), one of the things I love about the Stripology Squared ruler is how easy and fast it is to cut precise charm squares out of any fabric you fancy!

The Lil’ Stella table runner pattern by GE Designs using a Jennifer Sampou Sky ombre paired with Atlantia by Studio RK;

Above, I pieced this Lil’ Stella table runner pattern using a Jennifer Sampou Sky ombre paired with Atlantia by Studio RK; the fabric to the right will be the backing.

Using Stripology ruler to cut fabric for the Lil’ Stella table runner pattern by GE Designs

Left, the Stripology Squared Mini Creative Grids Quilt Ruler cutting 5 inch squares of Atlantis for the Lil’ Stella pattern. Right, the ruler turned for cutting angles required by the pattern.

Precision piecing using a BERNINA with #97 Patchwork foot and the Sew Steady Grid Glider

Using my BERNINA with #97 Patchwork foot and the Sew Steady Grid Glider, combined with the accurate blocks cut by the Stripology rulers, makes precision piecing easy!

Below, I paired Kaffe Fassett fabrics with Designer Essentials: Tula Pink Solids, Fat Quarter Pack. Trinity’s triangular blocks are easily made from precut fabrics — 10 in. squares, 2-1/2 strips, or fat quarters — using the Stripology XL ruler.

Trinity Stripology Mixer Pattern by GE Designs sewn by Chris Vinh and machine quilted by Alexandra Lush Benson

This shop sample quilt was made using the Trinity Stripology Mixer Pattern by GE Designs, and beautifully machine quilted by Alexandra Lush Benson — detail below.

Detail of free motion machine quilting by Alexandra Lush Benson

Below, Artistic Artifacts owner Judy Gula made her niece Layla an Emma quilt for a Christmas 2019. Always known for her freeform blocks, now Judy also raves over the Stripology rulers!

Emma quilt by Judy Gula, a gift for her niece Layla

Below, Layla’s sister Celia also received a quilt from Aunt Judy — wonderful improv!

Improv quilt by Judy Gula, a gift for her niece Celia

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