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Customize Your Aster & Anne Projects!

Aster & Anne Luella clutch by Jennifer Moore with block prints using Artistic Artifacts Fluid Textile Paint

Customize your own purse or accessory with Aster & Anne! The Artistic Artifacts Facebook Live presentation on February 20th shared with you examples of completed projects to inspire you on how you can embellish your own. We showed you how these kits arrive with everything you need to get started — precut wool felt shape(s), pre-punched grommets (where needed), required hardware such as buckles, closures and straps, sturdy pins and instructions. Watch our archived presentation:

I was joined by Chris Vinh of StitchesnQuilts for this live event, and we were happy to screen-connect with Jennifer Moore, the designer behind the Aster & Anne name, who stayed up late to share in our presentation too — it was 1:30 am in Australia!

Aster & Anne kits, finished projects and Artistic Artifacts products

Above, a glimpse of our presentation setup, with Aster & Anne packaged kits, selections of our wide range of fabrics, and one of our Inspiration Packs, bundles of hand dyed fabrics and found textiles that are perfect for fiber collage. All Aster & Anne precut wool felt pieces are sent unassembled so that you can work on them flat, and they are very easy to stitch through, whether by hand or by machine.

Completed Zipper Purses customized from Aster & Anne kits

The two finished projects shown are Zipper Purses. Chris attached Stitch Meditations (stitched with Eleganza) to either side for hers, leaving off the hardware to create a zippered pouch. For her version our BERNINA Ambassador Kathy Lincoln selected machine embroidery designs (remember you can order embroidery designs, stabilizers and other supplies from the Artistic Artifacts store at Embroidery Online) and sized them to fit her flat pieces. She used WonderFil Specialty Threads for her machine-embroidery — this is a beautiful example to show you in February which is National Embroidery Month. During her assembly Kathy added the adjustable cross body strap that is included in the kit.

Completed Anna tote made from Aster & Anne kit by Christine Vinh

Chris showed her completed Anna tote, embellished with with a piece of the Aviary Panel from Dashwood Studio that was stitched and embellished with hand emberoidery using Eleganza perle cotton, available in three weights.

WonderFil Specialty Threads thread packs with Aster & Anne kits

The thread packs curated by WonderFil Specialty Threads — available for both machine and hand stitching — are the perfect way to build your thread stash and to try out WonderFil threads you might not have yet experimented with. The newest packs are designed for the type of sewing you do (quilting, machine embroidery, serging, fashion sewing) and offer you multiple spools in a set that saves you between $18 and $31 off retail price!

Amalia backpack made by Judy Gula using an Aster & Anne kit

Above, my Amalia Backpack. I covered the pieces with a Marcia Derse fabric and machine quilted to enhance the linear design. And my latest Aster & Anne project is pictured in progrss below, the Needlecase/Cardholder Kit. I completely fell for the Little Forester Fusion- Sova Forester from Art Gallery fabric when it arrived in the shop and cut several of the adorable owls out to fuse on my needlescase as appliqué.

Details of Judy Gula's Aster & Anne needlecase

Then came the fun of hand-stitching! I’m really enjoying filling in design elements with various Tentakulum Painter’s Threads products. Those who watched our presentation on Tentakulum threads and trims saw the beginning of this needlecase project. Handpainted and imported from Germany, Tentakulum’s color blends and variations are gorgeous, and the specialty trims like the Ric Rac I use for a flower stem are so unique.

Needlecase/Cardholder Kit by Aster & Anne in progress by Judy Gula

Many of you know that of the many hand stitching and embroidery books we carry, I have a personal connection to Modern Hand Stitching by Ruth Chandler. Ruth is not just a friend but someone who really re-ignited by love of hand stitching with her approach as I noted in my post Block Printed & Slow Stitched Quiltlets. It gives you well-illustrated instructions on creating basic embroidery stitches. The fun of the book is how she shows you many ways you can adjust and alter those stitches for a new look.

Embellished Book Cover/Project Bag from Aster & Anne by Chris Vinh
Embellished Book Cover/Project Bag from Aster & Anne by Chris Vinh

Look at this wonderful Book Cover/Project Bag by Chris Vinh! She fused on a fish cut from a batik panel by Bambang Dharmo, first laying out a piece of hand dyed cheesecloth. She machine appliquéd and quilted it all, then accented with hand-stitching and embroidery. She used other portions of the panel to embellish the interior as seen here.

As noted in the product description, you can use this kit in several ways: as a notebook/diary cover, with the extra felt pieces (which are business card sized) placed as desired. You can stitch the included elastic as a pen/ pencil holder. For a project bag (like this example), the extra felt can become holders for needles or pockets for scissors, and the included zippered mesh bag can be attached. It has been designed to hold your thread (it fits up to 40 Sue Spargo hand stitching thread spools —Eleganza, Ellana, Efina) or any other project supplies you might want to carry along.

Technique tip: due to the nap of the Aster & Anne wool felt pieces, we recommendation is applying your fusible to your fabric and then ironing the fabric onto the felt. We carry a wide range of Fusibles, Interfacings & Stabilizers — and for fusing cheesecloth, lace and similiar fabrics, Mistyfuse, which is very sheer, should be your first choice!

What do you get when you mix a Luella Small Clutch with Designer Ribbon packs by Renaissance Ribbons? If you’re Jennifer Moore, the answer is “super cute little clutch purse, that’s what!”

Luella Small Clutch with Designer Ribbon packs by Renaissance Ribbons by Jennifer Moore

We have to agree! In her blog Jennifer wrote she was “so in love with these Tula Pink Line Work Ribbons” that as soon as they arrived she got to work, sharing how she created her beautiful project.

Subscribe to the Aster & Anne newsletter

Of course we’re also very partial to the Luella clutch shown at the top of this post. Jennifer shared its story on her Facebook page last fall: “I recently purchased some divine metallic paints and wood blocks from Artistic Artifacts… Judy Gula and I met at International Quilt market last year where she was signing copies of her book, which by the way has loads of inspirational ideas. So these lovelies have been waiting for me try (even though it is definitely not my usual colour palette). I used the metallic paint to create a wood block print.“ Jennifer’s final step was embellishing with Dazzle 8wt thread by WonderFil Specialty Threads, ending up with a bag she loves.

Jennifer reminds us all, “Don’t be afraid to experiment and try new techniques, textiles and colours.” Visit the Aster & Anne website and scroll down to the subscription link (pictured here) to receive their newsletter filled with projects, offers, events, ideas and inspiration.

Beautiful Grace Tote customized by art quilter Tina Curran

The beautiful Grace Tote pictured above was customized by art quilter Tina Curran, who shared her praise for the kit and her process for inspiration with her own newsletter subscribers. We really loved Tina’s use of black and white fabrics to create her trademark ‘whimsical garden’ flowers. Read Tinas’s newsletter (shared with permission) that contains lots of beautiful photos of her Winter Garden tote, plus her assembly and technique tips.

Marie Sepe machine appliquéd giraffes cut from a Jaka batik panel for her Book Cover/Project Bag by Aster & Ann

Above, one of our favorite Creative Minds, Marie Sepe, often uses our batik panels in her art quilts and art-to-wear. We love how she machine appliquéd giraffes cut from a Jaka batik panel onto her Book Cover/Project Bag and how they peek out of her pockets.

WonderFil Specialty Thread products

“Look what you can do with a Zipper Purse, Sue Spargo Pre-Cut Wool Pack and some Eleganza perle cotton from WonderFil Specialty Threads,” shared Jennifer on the Aster & Anne Instagram page, creating this adorable bag to Glenda Cust. Precut from 100% premium grade Australian Meriono wool fabric by Sue Spargo, these circles and shapes are ready to be stitched down and embellished — a perfect way to transform your Aster & Anne project.

The Aster & Anne website and their YouTube channel offers instructions and assembly videos, plus loads of inspiration!

Lots of inspiration from Aster & Anne with these examples of completed projects

Janet Green’s Improv Quilt

We’ve been lucky to see this beautiful quilt coming together during Janet’s visits to Artistic Artifacts, and we thank her for sharing its story.

Inside Stories

Guest post by Janet Green

Janet Green with her improv quilt Inside Stories

“The year 2020 started out much like any other. In January, I had a new planner. In February, I took a quick trip to Florida to get a healthy dose of sand, sea and sun. The first week of March, I attended a much-anticipated Gees Bend Quilt Retreat, returning home on March 8. A week later, life as we knew turned upside and came to a screeching halt. Enter Covid-19. Stay at home. Wear a mask. Wash your hands. Socially distance.

“Now in quarantine, I had to stop and think about everything I did: shopping for groceries, going to the doctor, attending Quilt Shows. But life went on. In late March, my beloved dog, Coco, began having seizures. Trips to the vet and pet ER meant hours in the parking lot, often at night, while we waited to hear from the doctors. In late April, sadly, I was allowed inside the facility to say goodbye to my fur baby.

“With all the thoughts and emotions vying for space in my head and heart, I went to my studio and stared at fabric. Batiks, hand-dyeds, bright colors, florals, geometrics, African and Australian. You name it, I had it. To keep from becoming overwhelmed by the choices, I just picked a little piece that I really liked. And I built a block around it. One 16-1/2-inch block.

Janet Green's favorite block from her Inside Stories quilt

“The next day, I did the same thing. Both blocks were the same size, just completely different. I had no plan in mind. I just knew that quilting is therapeutic for me. A block a day, a step at a time, to help heal my broken heart and manage the myriad of Covid-related emotions I was experiencing.

Block detail from Janet Green's quilt Inside Stories

“After 12 days I had 12 blocks. Each was unique. Each had at least one bright fabric which represented hope. I arranged and rearranged the blocks on my design wall and even reworked a few. Come July, I was finally satisfied.

Block detail from Janet Green's quilt Inside Stories

“When I shared pictures of my work in progress with a few of my quilting friends, I was surprised and pleased with their responses. Some saw different rooms, and some began to read the blocks as chapters in a book. They all talked about how they were intrigued as their eyes moved around the blocks. It was time to piece it all together and choose a border.

Block detail from Janet Green's quilt Inside Stories

“Artistic Artifacts to the rescue! Specifically, Ladder to Happiness, Step by Step, by Keiko Goke for Free Spirit. The colors, the geometrics and the fluidity of the design were simply perfect. [Editor’s note: Janet bought the last of this beautiful fabric, which you can see above — but we have lots more wonderful Modern Cottons for you!] Then came the final challenge: how do I quilt this? One block at a time, letting the fabrics dictate the design.

Block detail from Janet Green's quilt Inside Stories

“I must have used at least 50 different thread colors so the quilting would disappear yet still add texture. I also did some hand stitching for accent. Finally, I used the border fabric for the binding. My quilt finished at 63 in. by 75 in. I call it “Inside Stories.”

Block detail from Janet Green's quilt Inside Stories

“This year, on any given day, we have all been stuck inside. And we all have stories to tell. Stories that make us laugh, or cry, or give us pause to consider the things that really matter.

Block detail from Janet Green's quilt Inside Stories

“I captured some of my story in these blocks. My hope is that others, you, will see your stories in my quilt and that you will find joy in your own stories.

“Oh, by the way. In late May, we adopted a new fur baby, Zeus. But that’s another story!”

The completed Inside Stories improv quilt by Janet Green

Thank you for sharing your story, Janet! Above, the completed Inside Stories quilt by Janet Green, one of our favorite Creative Minds. View larger image »

________________

Janet often brings show & tell with her when she visits us at Artistic Artifacts, and we wanted to take this opportunity to show you some of her other work.

Janet Green with her pieced quilt featuring Australian fabrics

Above, from February of this year, Janet created this fun quilt she made using one of our 2 Yard Surprise Fabric Pack, which include a miscellaneous selection of our end of bolt pieces.

Janet Green's quilt top in progress, featuring Marcia Derse fabrics

Last fall Janet bought this quilt top in progress to the shop as she contemplated her borders.

Janet Green mixes fabrics she created in classes at Artistic Artifacts with Marcia Derse fabrics

When we shared Janet’s quilt on our Facebook page, we wrote that “We love to see what our customers do with the products they find at the shop and how they have used techniques they learned in a class. Love the use of a variety of Marcia Derse fabrics mixed with fabrics “made” in a class with Liz Kettle.” There are block prints, Thermofax screen prints, and fabric monoprints created using a gel printing plate from Janet’s stash that harmonize beautifully.

Improv blocks by Janet Green

Above, you can see how Janet loves to piece together improv block units!

Janet Green poses with her sister and the fiber portrait she created of her

In September 2018 we were happy to meet Janet’s sister on a visit here, “Check out this quilted portrait our customer Janet did of her sister!” we posted. “The details are wonderful, down to the hair. She laid a base of wool roving & added doll hair.” Janet gifted the fiber portrait to her sister, and what an amazing gift to receive!

Janet Green holds the batik panel quilt she completed after taking a Judy Gula class at Artistic Artifacts

In August 2018 Janet brought in her finished batik panel quilt, which had begun in a class with me. It’s beautiful!

Janet Green improv quilt embellished with wooden block prints

And above, Janet embellished prints that were made using wooden printing blocks during a class with me, featuring them in a beautiful nature scene atop another improv quilt.

I think you can see why we come running when Janet visits — she so often has something beautiful to show us, and it’s wonderful to feel we’re contributing to her creative journey with our fabric and other products. We love customer show & tell — tag our Facebook page and join our Artistic Artifacts Creative Minds Facebook group to #ShareonSat and inspire your fellow creative minds.

Making Fabric Postcards: Want to Trade?

Updated July 9, 2020: Since originally writing this post, I’ve responded to a number of requests by filming a quick tutorial for you! Please take a look and read through my steps below — you’ll see this is an easy, fun fiber project that spreads some joy into the world!

I love to make fabric postcards… and not just make, but to use and mail. Watch my recent Creative Clip for my challenge to anyone interested in a fabric postcard trade!

Fabric postcards by Judy Gula of Artistic Artifacts

Some of us only get small moments in time to play with our fabric. I am one of those people. Because of that time crunch, I have developed a system to keep fabric postcards always in progress. When I get those small amounts of time, I can immediately get to work where I previously left off. And before I know it, I’ve produced 6-12 postcards at a time!

With the current global health crisis meaning that so many must stay home to safeguard their health, I’m stamping and addressing my postcards, in the hopes that they brighten someone’s day once found in their mailbox.

Fabric postcard by Judy Gula of Artistic ArtifactsIn addition to fabric scraps, I use the following supplies when creating fabric postcards:

  • Steam-A-Seam 2 (I prefer lite version) I like this fusible because it is sticky and allows me to lay small pieces/scraps of fabric and it holds them in place. If I want to move the fabric I can pull off and replace or move. I recommend you begin with a piece that is 12 in. x 18 in.
  • Pellon Peltex 71F One-Sided Fusible — I keep the fusible side for the card stock to be applied.
  • Non-stick craft sheet — such as a Goddess Sheet or the Bo-Nash Amazing Sheet. I use the largest size I have, so that it is both under and over my fusible
  • Thread
  • 4 in. x 6 in. index cards, or card stock cut to size

First, peel back one side the Steam-A-Seam 2 fusible. I don’t remove it all the way off — I peel it as I lay down fabrics scraps.

Judy Gula uses a variety of fabric scraps, selvages, orphan blocks and more to create her fabric postcards

I apply a variety of fabric scraps, selvages, orphan blocks and more. I do like to use smaller pieces to create a collage look on the Steam-A-Seam. Fill up the sheet with your fabric scraps as seen here..

Next step is the iron the fabric to the Steam-A-Seam, using your non-stick/Teflon sheet to secure the fabric.

Then, using a piece of Pellon Peltex 71F One-Sided Fusible inthe same size as your sheet of Steam-A-Seam 2, peel the last paper off the fusible and fit it to the non-fusible size of the Peltex.

IMPORTANT: make sure that you have your non-stick Teflon sheet (if you don’t own one, substitute parchment paper) under the fusible side of the Peltex or it will stick to the ironing board… Ask me how I know!

Free-motion stitching on Judy Gula's fabric postcards

Once the fabric collage is fused to the Peltex, I then have some fun at my sewing machine. Free motion stitch the entire front of your fabric collage. Note that there is a tendency for the glue to come off on the needle; it is sticky. It hasn’t caused me problems, but next time I’m going to try the Schmetz Super Nonstick Needles.

I use this stitching time to test out new freemotion “patterns” or to practice them. I also often follow the pattern in the patterns in the fabric scraps. This is also a great time to test out any fancy stitches your machine might have programmed. Sometimes I use one color thread, sometimes multiple — and specialty threads can be fun to play with too!

Fabric collaged sheet ready to be cut into postcards

Once my sheet is completely free-motion stitched (above), I cut it into 4 in. x 6 in. pieces for the postcards. I then apply the 4 in. x 6 in. index cards (or card stock cut to size) to the back side.

Zig-zag stitching the edges of the postcard

Stitch an open zig zag stitch around the four sides of the postcard. Don’t make the zig zag stitch too close, or you’ll perforate the card stock to the point that the edge could detach or pull off.

Detail, zig-zag edge of fabric postcard

If you have a postcard stamp, use it to dress up your back. If you don’t, simply write POSTCARD on the center top of the card. Write your recipients address and add a stamp on the right side of the postcard. First class postage is all you need! Then write your message on the left and drop it into the mail.

I’d love to trade postcards with you — watch my latest Creative Clip for my challenge!

Colorful Batik Panel Quilts: My First Book!

Colorful Batik Panel Quilts by Judy Gula on display at Artistic Artifacts

I’ve begun the new year as a published author, with the release of Colorful Batik Panel Quilts: 28 Quilting and Embellishing Inspirations from Around the World — it’s so exciting to see it come to fruition and hold the tangible product in my hands! I’ve been working on this project for quilt some time now, and for those who purchase my book and who are readers of this blog, you will recognize some of the projects that are included!

Pictured below, School of Fish is featured as one of the book’s projects, with complete instructions on my wonky log cabin method. Plus, a closeup of one of the the wonderful hand-drawn fish by Jaka ended up as the cover star (see below) of my book!

School of Fish quilt by Judy Gula, included in Colorful Batik Panel Quilts by Judy Gula

This quilt was designed and created for our 2015 Row by Row Experience project, which had H2O as its theme. It was the topic of this post, where I expressed the unexpected difficulty in adding a new row to an already completed quilt!

Sisters batik panel quilt by Judy Gula, in progess, included in Colorful Batik Panel Quilts

Jaka is one of the most well known batik artists in Indonesia and his “postcard” quilts (9-up grid of animals and designs) are popular and versatile. To create the wonky log cabin strips in School of Fish, I combined our Batik Tambal Exclusive Batik with many Australian Aborigine designed fabrics — I love the play of patterns and colors.

My piano keys border method, included in the book, is pictured (right) in progress and was described in this post. Sisters (a portion of which is pictured here) began with the choice of an expressively painted panel by Bambang Dharmo. The border used silk pieces from our Silk Fat Quarter Assortment from India.

Mahyar batik panel  awaiting border

A completed Three Sisters (shown in progress above) is included in my “embellishing” section. I introduced you to this quilt in this post, which began with a batik panel by Mahyar. I loved hand-stitching on this panel, using Eleganza pearl cotton by WonderFil Specialty Threads and my trusty chenille needles from Tulip. Colorful Batik Panel Quilts contains instructions on my favorite embroidery stitches.

Instructions on how to add beading to your projects is included in Colorful Batik Panel Quilts by Judy Gula

In addition to embroidery stitches, my book also teaches you the basic beading stitches. Batik Flowers, a quilt shown in this post (portion shown above) and included in the book, began with a floral batik panel by the very talented Hari Agung. As the book notes, “My idea was to use a variety of beads and stitching to create a hydrangea-type flower. I used the beading and stitching to extend beyond the doily and batik flower….” I used my yellow bead mix and Silamide thread to embellish this quilt.

I hope I’ve tempted you to add my book to your shelves and create your own Colorful Batik Panel Quilt! If you are local or able to travel, in addition to a book signing party at Artistic Artifacts on Sunday, February 3, I will be teaching my Create a Batik Panel Art Quilt class on January 26 and would be delighted to have you join us. I also include this class in my offerings to quilt guilds and art groups around the country too — learn more about booking me for your own event!

Colorful Batik Panel Quilts: 28 Quilting and Embellishing Inspirations from Around the World by Artistic Artifacts owner Judy Gula

Stitching on Wool and Felt — Journal Covers and More

Hand Stitched Mixed Media Journal Cover

Several years ago during the holiday season I wrote about creating felt-covered journals (my tutorial is expanded on below). I mentioned that I generally batch or make multiples of art, in that case making four journal covers at one time… a great process for making gifts! I’ve realized I hadn’t shared the cover (pictured above) of the journal I kept for myself, and so in celebration of February being National Embroidery Month, am sharing some of my stitching here.

Detail, Hand Stitched Mixed Media Journal Cover

Pictured above, and stitching detail photo right, is the finished hand-stitched felt/wool mixed media journal cover. Natural fiber felts are perfect for needlefelting (by hand or machine), or as a base for hand-stitching.

Plus, in addition to commercial felts, I enjoy using upcycled wool sweaters and fabrics that have been “fulled” (washed in hot water and dried to shrink and tighten the fibers) as a base for switching. You can see the fun striped sweater created a beautiful accent!

Commercial felt and fulled wool sweaters were used to create the journal cover design

Above, commercial felt and fulled wool sweaters were used to create my journal cover. I simply cut simple shapes to add, plus traced a more elaborate scroll design to appliqué to the base felt fabric. These shapes were accented with blanket stitching, simple straight stitches, running stitching and cross-stitching.

WonderFil Specialty Threads embellish wool hearts on an upcycled sweater piece

WonderFil Specialty Threads feature a large number of beautiful threads, such as Sue Spargo’s collection of Eleganza, perfect for hand-stitching. Here, WonderFil Specialty Threads embellish wool hearts on an upcycled sweater swatch. Above left features French knots; right are Bullion knots (use a Bullion Knot Needle for ease in creating these). Also pictured below, these stitched hearts are an example of a project demonstrated and completed during our monthly Hand Stitch Third Thursday sessions.

WonderFil Specialty Threads embellish wool hearts on an upcycled sweater piece

I am always touting Modern Hand Stitching by Ruth Chandler: it’s a wonderful resource, giving you well-illustrated instructions on creating basic embroidery stitches. The fun of the book is how she shows you many ways you can adjust and alter those stitches for a new look. Artistic Artifacts also carries a number of other beautiful embroidery books complete with instructions, patterns and projects.

Hand stitching with wool on wool

This blog post is giving you instructions to create a mixed media journal, but imagine the above pictured examples (more of my hand-stitching on wool) instead sewn into a zipper pouch… wouldn’t that make the perfect storage for your favorite thread spools? Or how about working larger, or stitching together different squares, to create a pillow? Your only limit is your imagination!

Creating Mixed Media Journals

Select your commercial felt base or fulled wool swatch. The bright light green pictured here is XoticFelt, which came as a large 20" x 22" swatch. I folded it in half, ironed the fold line, folded it in half again and ironed that fold.

Folding felt for cutting lines

Doing this created easy to follow cutting lines to cut my four book covers. Because I was “batching” my work to create multiple journals to use as gifts, I used the entire piece and these covers measured 10" x 11". This was a bit unusual in size, but I didn’t waste any felt! Of course you can choose to make your cover in any size you like.

Rotary cutting along fold lines

The next step is to cut a backing for the felt. This surface will serve as your inside front and back cover. My favorite to use is Roc-lon Multi-Purpose Cloth™. Comparable to canvas, this 70% Polyester/30% cotton material is flexible, soft, and prepared for painting and collaging. Using it makes your felt cover sturdier and more durable. Cut the Multi-Purpose Cloth (or your desired material) the same size, or a bit smaller than the size of the felt.

You will also want to cut your choice of found papers, and cards to go on the inside of the book. You can cut all your paper for your page signatures the same size, or you can, like in my example, incorporate different sizes for interest.

Pages for the journal interior

This is an ideal way to recycle junk mail, wrapping paper scraps, and more. You can also incorporate sheets of fabric into your pages as I did. If you do, you can stitch inside your book, or pin or fuse items to the fabric. The sky’s the limit!

You now have three elements working: embroidered felt or wool for the front cover, Multi-Purpose Cloth for the inside cover, and your pages.

Front Cover:

Cut small pieces of contrasting felt to create a design, and hand-stitch with floss using straight or embroidery stitches. I’ve included a photo here of a different stitched book cover I created for additional ideas — I love stitching on buttons! As noted above Artistic Artifacts carries a number of hand-stitching and embroidery books, plus there are a huge number of online and YouTube resources for learning embroidery stitches. You could also choose to machine stitch your cover — a great opportunity to practice free-motion quilting!

Inside Cover:

Next is the Multi-Purpose Cloth. You can leave this plain/white, or create some surface design with paint or inks. I’ve used stencils and spray inks to quickly pattern the inside cover of the Multi-Purpose Cloth.

Spray inks and stencils atop Multi-Purpose Cloth inside cover

When working with spray inks, make sure your work surface is well covered, or place your item in a box. In the photo examples here, I have used a red plastic tablecloth to protect the table surface, topping it with tissue paper.

Stencil removed, leaving ink design

I add the tissue paper because then it builds my stash — I can use any of the oversprayed tissue in other mixed media projects! Spray your first color of ink lightly through the stencil.

Adding additional colors of ink and layers of design

After I lifted the stencil off, I let it dry (spray inks dry quickly) and then continued the process, spraying all four of my Multi-Purpose Cloth at the same time, using different colors of ink. I also added a small stencil and used another color ink. Let dry.

Spray ink through stencils on Roc-lon Multi-Purpose Cloth

Mistyfuse layered onto Multi-Purpose cloth and covered with a non-stick craft sheet

To continue, the non-sprayed or plain side of your Multi-Purpose Cloth needs to have Mistyfuse applied to it. I’ve often mentioned using Mistyfuse in projects; you know I love it! But remember, it requires the use of a Goddess Sheet, the Bo-Nash Amazing Sheet or any brand of non-stick (Teflon) craft sheet (parchment paper will also work) to cover the surface while ironing. Pictured here, the plain side of my Multi-Purpose cover has a layer of white Mistyfuse (hard to see, I know, but you can pick up the webbing texture) that is being covered by the non-stick sheet. I iron on top of the sheet, which fuses the Mistyfuse to the interior covers.

Once the Mistyfuse has been applied, all the pieces are ready:

  1. Outside Cover: the felt has a pattern and color stitched to the front.
  2. Inside Cover: the Multi-Purpose Cloth has color on one side (or was left plain) and Mistyfuse on the other side.
  3. Pages: Paper and fabric is assembled for the interior of the book.

Stitching & Embellishing Pages:

Stitch the paper to your inside cover Multi-Purpose Cloth. I found the center by simply folding all the papers and fabrics. I also folded the Multi-Purpose Cloth and lined everything up according to that fold — remember, your color side faces up so it is visible — and straight stitched down the center.

Stitching your paper and cardstock signatures together using your sewing machine and a long, straight stitch

Set your sewing machine to sew a long, straight stitch — shorter stitches too close together can cause the paper to perforate and then fall out.

Washi tape covers stitching and creates foldout page

These mixed media journals are also a great place to use your favorite washi tape: apply the tape over the stitching (above) to hide it if you prefer. Washi tape is also a simple and decorative way to create fold out pages and pockets.

Washi tape creates a fold out pocket tab and embellishes a tag

Finishing Your Mixed Media Journal:

Your last step is to fuse your stitched felt cover to the plain side of your Multi-Purpose Cloth interior cover — which has already had the Mistyfuse applied. Trim your edges if it’s necessary.

You can add finishing touches like a button closure and an attached fabric tie, as in my example. Pictured below is my journal opened to show both the front and back stitching and how the fabric tie was stitched on.

View of both front and back hand stitched journal cover

Finally, enjoy your new journal… and if you have batched your construction, enjoy giving away these special gifts!

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