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Fabrics Unveiled at Spring Quilt Market

Batik Tambal Exclusive Batik fabrics

View of Gateway Arch from hotel

There are two Quilt Markets (credentialed trade show for shop owners, fabric companies, etc.) each year. The biggest is each fall, always in Houston just before the huge International Quilt Festival (which takes place November 2-5, 2017). The Spring show changes locations each year; and this year it was in St. Louis; a fact that was reinforced each time we had the chance to take a look from our Hotel to see the iconic Gateway Arch!

My “partners in crime” for this trip were Liz Kettle of Textile Evolution and Ruth Chandler, author of one of my favorite instructional books, Modern Hand Stitching. (Remember, Liz will be visiting Artistic Artifacts next month with her immersive Stitch Journeys class — a few seats are still available for this 4 Day Creative Retreat, so join us!)

Architectural detail in St. Louis

Our walk from the hotel to the Convention Center included passing by buildings featuring beautiful architectural details (see above and in my gallery below). Most of these were likely built in the 1920’s and 1930’s and unfortunately, many of them are empty. So sad!

New fabrics in the Woodstock design, Batik Tambal Exclusive Batik

Artistic Artifacts was there with a booth exhibiting and selling our Batik Tambal Exclusive Batik fabrics (pictured at the top of this post and here), handpainted batik panels and our artist quality textile paints. From our Batik Tambal Exclusive Batik, I’m excited by our new Woodstock 2 fabrics (pictured above)!

New colors coming of established Batik Tambal Exclusive Batik

I also have new colors (pictured above) of established designs, Folk Life-Paisley Leaves and Color Sponge. All of these new Batik Tambal Exclusive Batiks will be available to our customers in approximately two months.

Ruth Chandler and Liz Kettle demonstrating how to create Silk Fusion

The first day of Market for many of us includes the “School House” event. These are short (15 to 30 minute) presentations, sales pitches, and educational sessions. Liz and Ruth have done many of these for companies such as Treenway Silks and Rockland Industries. Artistic Artifacts currently carries products from both of these companies: Silk Roving/Sliver in gorgeous colors from Treenway and from Rockland Industries, muslin, Osnaburg and Roc-lon Multi-Purpose Cloth. Above, Ruth Chandler (left) and Liz Kettle are demonstrating how to create Silk Fusion. (Those of you close to Artistic Artifacts, join me in October for our How Do I… evening: we’ll be making silk paper, a similar technique!)

Sue Spargo hand-stitching

A lot of time is spent walking the aisles looking for inspiration, like the above beauty by Sue Spargo (take a look at the gorgeous colors she selected for her WonderFil Eleganza collection). You can view a lot more eye candy from Quilt Market in my gallery at the bottom of this post!

A sampling of new designs of popular Australian Aborigine-designed fabrics

I made my usual stop at the M&S Textiles booth to see what is new with our popular Australian Aborigine-designed fabrics. I ordered 22 new patterns! You can get an idea of what’s coming in the photos above and below. Stay tuned to our website — they are expected in approximately two weeks.

More new designs of Australian fabrics on the way to Artistic Artifacts from M&S Textiles

I was able to have a quick trunk show with fiber artist and fabric designer Marcia Derse. I have always loved her work!

Marcia Derse Treasure Hunt fabric line

Marcia’s Treasure Hunt line (pictured above) will be available in the shop in October. We hope to add her solids to the store (pictured below) in the future as well.

Marcia Derse solid fabrics

Maker’s Home by Natalie Barnes (pictured below) of Beyond the Reef Patterns will also arrive in the shop in the fall or early winter. This is her second line for Windham Fabrics and includes her signature hand drawn flowers and fun black &white prints (and you know how much I love black & white fabrics). I’ve been looking for the right kind of floral fabric to add to the shop and thought my customers would love this line (more views in the gallery).

Maker's Home by Natalie Barnes of Beyond the Reef Patterns for Windham Fabrics

And we spent time in Art Gallery’s booth (their booth photo below with my detail shots) touching and feeling their knit, voile, and cotton fabrics. We’d like to add knit fabrics to Artistic Artifacts…what do you think? Good idea? Let me know in the comments!.

Art Gallery Fabrics booth

Below, my photo gallery for more from Quilt Marke — click on any photo for a larger view or to see it as a slideshow.

What Could Have Been: Quilt by Elayne Logan Currie

It’s flattering when we learn that people who have traveled to the Alexandria VA area (to visit family, while on business trips etc.) take the time from their busy schedule to come visit us in person. One recent visitor was Elayne Logan Currie. Last November she was in town to visit her mother-in-law and purchased one of our handcrafted batik panels by the renowned artist Jaka. Elayne visited Artistic Artifacts again recently and told us about her community’s amazing Read Together program. She showed us a photo of the quilt she made with that Jaka panel, inspired by the 2017 book, Homegoing by Yaa Gyasi. We begged her to share, and she did… so now we want to share with you!

Quilt by Elayne Logan Currie featuring center batik panel by Jaka, inspired by Homegoing by Yaa Gyasi

View larger image »

“A Novel Idea… Read Together“ is the largest annual community reading program in Oregon. Thousands of Deschutes County residents share the common bond of reading a selected book and participating in related cultural and literacy events each spring. Among the events, the Deschutes Public Library creates art exhibits for display, inviting artists to create and submit original art inspired by the selected book. The following is Elayne’s quilt submission details:

What Could Have Been
by Elayne Logan Currie,
March 2017 (quilted by Sue Shimke)
Inspired by the book Homegoing by Yaa Gyasi

While visiting my mother-in-law in Alexandria, Virginia I have discovered a quilt shop near her home that dyes a lot of their own fabric and has unique pieces of material from around the world. I fell in love with the centerpiece of this quilt last November, anticipating that it might be perfect for a Novel Idea in our community somewhere down the line. I would never have imagined that only a few short weeks later, with the announcement of Homegoing as our community read this year, that this panel would be put to use immediately.

The book Homegoing is a heart-wrenching novel that clearly links the history of slavery to today’s injustices still perpetrated on the backs of our black citizens. I am left wondering how the African American people have survived all that has been placed in their way.

This quilt is my attempt to wave my magic wand and go back to the beginnings of the half sisters Effia and Essie. How different would their worlds have been if they had known each other and had each other’s backs in a sisterly love? How different would our world be if slavery had never existed to begin with? The trees symbolize the family lineage we read about in Homegoing. The two leaves in the bottom left hand corner of the quilt represent the fallout of the family trees in the persons of Marcus and Marjorie. May their love blossom into goodness and may the world support their union and the cultures of their offspring.

Detail, What Could Have Been, quilt by Elayne Logan Currie featuring a batik panel by Jaka

Above and below, detail views of What Could Have Been, Elayne Logan Currie’s quilt inspired by Homegoing.

Detail, What Could Have Been, quilt by Elayne Logan Currie

More About Homegoing

A Novel Idea 2017 PDF program cover by the Deschutes Public Library Foundation

Ghana, eighteenth century: two half sisters are born into different villages, each unaware of the other. One will marry an Englishman and lead a life of comfort in the palatial rooms of the Cape Coast Castle. The other will be captured in a raid on her village, imprisoned in the very same castle, and sold into slavery. Homegoing follows the parallel paths of these sisters and their descendants through eight generations: from the Gold Coast to the plantations of Mississippi, from the American Civil War to Jazz Age Harlem. Yaa Gyasi’s extraordinary novel illuminates slavery’s troubled legacy both for those who were taken and those who stayed — and shows how the memory of captivity has been inscribed on the soul of our nation. (Read an excerpt of Homegoing, courtesy Penguin Random House.)

Homegoing won the 2016 National Book Critics Circle Award, the John Leonard Prize and was a finalist for the PEN/Robert W. Bingham Prize. It also was the recipient of the John Leonard First Book Prize, a New York Times 2016 Notable Book, NPR’s Debut Novel of the Year, and included as Time Magazine’s top novels of 2016.

Homegoing author Yaa Gyasi was born in Ghana and raised in Huntsville, AL. Recently named to the 2017 Forbes "30 Under 30" list, she holds a BA in English from Stanford University and an MFA from the Iowa Writers’ Workshop, where she held a Dean’s Graduate Research Fellowship. She lives in New York City.

Download the Deschutes Library Homegoing PDF, which includes a Yaa Gyasi interview by Hope Wabuke of The Root; a reader’s guide/discussion points, The Transatlantic Slave Trade: A Capitalist Enterprise by Dr. Carmen P. Thompson; and Connecting Points: Tracing the History of African American Literature through Homegoing by Dr. Annemarie Hamlin

Detail view of What Could Have Been, Elayne Logan Currie’s quilt, inspired by Homegoing by Yaa Gyasi

Thank you so much for sharing, Elayne — we love how you have used the Jaka panel, and Sue Shimke’s quilting highlights the entire piece beautifully!

Kay Kapps Cross and WonderFil Threaducation

Kay Kapps Cross conducting her WonderFil Specialty Threads Show & Tell at Artistic Artifacts
Spools of WonderFil thread, quilts and other projects awaiting the beginning of Show and Tell

Sometimes posting on your blog gets away from you…the last entry was about attending the WonderFil Education Summit in California to learn more about these magical threads, and finally posting again, we are STILL talking about WonderFil™ Specialty Threads!

Kay Kapps Cross (pictured above) is a certified WonderFil Threaducator, and we were delighted to welcome her to Artistic Artifacts on March 24-25 for our WonderFil Boutique official opening celebration. On Saturday, March 25, Kay held two show and tell sessions, one in the morning and one in the afternoon, to show off beautiful quilts and projects that featured all of the many WonderFilSpecialty Threads. Pictured right are Kay’s samples as she set up.

Nancy Karst is delighted to be one of the randomly drawn raffle winners!

These show and tell sessions were sponsored by WonderFil, who also provided us with product samples for our random raffle drawings. We had many excited winners, such as Nancy Karst pictured above, thanks to their generosity!

One of the most helpful aspects of her presentations was passing out an opened spool of each specialty thread. To be able to see and feel the weight and finish of the threads added immeasurably to everyone’s understanding.

Kay Kapps Cross demonstrates WonderFil Specialty Threads in the Artistic Artifacts BERNINA sewing machine studio

Kay also demonstrated many of the threads in use in our BERNINA showroom, including bobbin work!

Finding Your Voice Lecture/Class with Kay Capps Cross

Kay began her weekend with us on Friday, March 24 for Finding Your Voice, a lecture by WonderFil Threaducator Kay Capps Cross. She promised that “We will relax and learn ways to release our inner creativity and express ourselves through our quilts. Art quilts, experiments, free associations, or whatever we call our pieces, they are a window to what is inside of us. With a little confidence, our voice will be heard.”

Finding Your Voice Lecture/Class with Kay Capps Cross

Kay taught attendees to sort fabric scraps by color values, and then issued a variety of challenges. A wide array of art supplies were on hand to explore.

Cutting paper and fabric and using a variety of color tools during the Finding Your Voice lecture/class with Kay Capps Cross

Cutting paper and fabric and using a variety of color tools during the Finding Your Voice lecture/class with Kay Capps Cross

The last activity, which built upon all that came before, was to generate three possible sketched ideas for a quilt block (which could use any material or supply and didn’t have to be fabric) that illustrated your artistic voice.

Student sketches during Finding Your Voice with Kay Kapps Cross

Below, some finished quilt block as students found their voice.

Student blocks from  Finding Your Voice with Kay Kapps Cross

Visit the Artistic Artifacts website to view the wide variety of fiber and mixed media classes available and join us in finding your own voice! BERNINA mastery classes are on the way too!

Lines & Squares and more…

We have had the Stacked Squares Quilt Pattern, designed by Sarah Gustason, in the shop for some time, but had hesitated to add it to our online store. It calls for beautiful fabrics from Frond Design Studios that we no longer carry. (While we love ALL of the beautiful designs Frond comes up with, in order to be able to add new lines by them —or any other fabric manufacturer —we have to retire other favorites to make room.)

We decided to make up a sample using other striped fabric to show how well the pattern works with different fabric choices, and put Christine Vinh, StitchesnQuilts on the job. While Chris has an amazing talent for seeing a fabric’s potential and in mixing fabric lines, for this project she didn’t need to look far, deciding to experiment with the strong linear lines of the Barnboard line by Frond.

Materials to create a Stacked Squares art quilt

The pattern calls for one yard each of four fabrics to piece the top (plus additional for binding and backing) to create a 48 inch x 60 inch. quilt. Chris chose ½ yard of the following Barnboard colors: Afternoon, Autumn, Summer and Sunlight.

Chris Vinh sewing her Stacked Squares art quilt

Chris posted the above photo on Facebook, writing “Shop sample for Artistic Artifacts under the needle. Perfect combination: Bernina machine, WonderFil Mirage thread, and Frond Design Studio Fabrics fabric and pattern. Add a little music, and this girl is happy!”

Stacked Squares art quilt front by Chris Vinh

And she was even happier with the final result — above, her completed top, waiting for binding.The Barnboard is showcased beautifully with this pattern! Chris arranged her stacked squares to create a 30 inch square wall quilt or table topper. And from the 2 yards of fabric she began with, she had enough to piece a beautiful backing, making it reversible!

Stacked Squares art quilt back by Chris Vinh

To match and complement the various colors, Chris selected Mirage™ Color #27, Green/Honey/Red. Mirage is a 2-ply, 30wt rayon that’s randomly space dyed in variegated colors so that every spool unique. “The Mirage was perfect for this project,” Chris said, noting how far a spool will go…she “barely made a dent in her wound bobbin after free motion quilting.”

Chris has been on something of a “line” kick lately. It started when she wanted to give paper piecing a try. She selected the Sew and Fold on a Roll, Flying Geese & Braids and, while initially daunted by the concept, quickly realized how easy these gridded products are to use, giving you precise results.

Paper pieced braid quilt by Chris Vinh

She had some left over Australian Aborigine-Designed fabrics in her stash and put the above beauty together. It was such a perfect result that she decided to turn it into her entry for her quilt guild’s challenge. Chris is a member of the Arlington Chapter of Quilter’s UnlChris Vinh quilt label, Arlington QU Alphabet Challengeimited (QU), a large local guild that has 11 chapters throughout the Northern Virginia region.

Arlington QU often issues group challenges to its members, and this year members randomly drew a letter of the alphabet and are making an 18 in. x 18 in. quilt inspired by that letter. Chris drew the letter L, and realized this quilt was perfect: L is for Lines! (Pictured right, Chris’ quilt label.

The Alphabet Challenge quilts will hang together at QU’s 44th Annual Show, which takes place June 2-4, 2017 at the Dulles Expo Center in Chantilly, VA. The QU Quilt Show is always well worth the trip!

Chris is also enjoying using her new paper piecing skills on her latest work in progress. As mentioned above, she is a whiz at pulling together beautifully coordinating or contrasting fabrics. There are quilters who stick to a particular fabric collection for inspiration, and then others who look for colors and designs that, as she puts it “plays well with others.”

Work in progess by Chris Vinh

Pictured above, a paper pieced braid that uses several fabrics from the new Figment line designed by Pam Goecke Dinndorf. This piece also has some choices from the Marks collection by Valori Wells, also available in our Modern Cottons section, and complementary Australian Aboriginal Designs.

Quilt top by Artistic Artifacts customer Laura Geiser

We also wanted to shared these, perfect for this post’s theme of lines and patterns! Recently one of our customers, Laura Geiser, brought the two beautiful quilt tops (pictured above and below) by the shop. She told us she had been really inspired by the Australian Aboriginal design fabrics we carry and our Paper Pieced Aussie Blocks quilt on display, as well as our variety of black and white prints. She was shopping for additional fabrics to create a third quilt in this series!

Quilt top by Artistic Artifacts customer Laura Geiser

Watch Artistic Artifacts Demo Techniques on Great Day Washington!

Artistic Artifacts is ready for its Great Day Washington taping

Demonstrating surface design techniquesMonday, January 30 was an exciting day for Artistic Artifacts as we appeared live on Great Day Washington, a local morning show on Washington DC’s WUSA*9 TV (CBS affiliate).

Lifestyle Correspondent Meaghan Mooney and her cameraman arrived early in the morning and ran four different “live hits” from 8:55 to 10 am. This amazing opportunity came about because they saw that our customers give us top ratings on Facebook and Yelp…what gratifying news to hear!

For those unable to watch live, we wanted to share the segments from the Great Day Washington portion of WUSA 9 website here.

Click to watch block printing and other surface design techniques

For the first segment — watch online now — Judy demonstrated block Printing on fabric and paper, using hand-carved wooden printing blocks and Artistic Artifacts’ own textile paints. (Join us this weekend for your own opportunity to experiment with this centuries old technique in Block Printing with Cyndi Souder.

The Artistic Artifacts line of Fluid Textile Paints were used for all surface design demonstrations

Additional surface design techniques were also showcased in this segment. Pictured below, Susan Gantz (left) is demonstrating monoprinting on a Gelli Arts Gel Printing Plate, while Sue Price of PG Fiber2Art is demonstrating Thermofax screen printing — join us February 18 for Printing with Thermofax Screens with PG Fiber2Art to learn how to create your own screen printed fabric.

Susan Gantz demonstrating monoprinting and Sue Price of PG Fiber2Art demonstrating Thermofax screen printing

Susan Gantz didn’t think she was a big metallic fan, but experimenting with the Artistic Artifacts Fluid Textile Paint set of Silver, Gold and Copper while demonstrating (see some results below) has now changed her mind!

Monoprint by Susan Gantz in progress and completed

In the second segment, Cyndi Souder of Moonlighting Quilts, Ambassador for BERNINA, demonstrated foundation paper piecing to create quilt blocks using a BERNINA sewing machine — watch online now.

Click to watch Cyndi Souder of Moonlighting Quilts demonstrate paper piecing

Cyndi Souder shows Meaghan Mooney of WUSA9 a paper pieced block

The paper piecing technique offers complete accuracy: precise points and a visually complex design become easy to execute. Join us on Saturday, February 11 for Cyndi’s class Beginning Paper Piecing Row By Row. Above, Cyndi shows Great Day Washington Lifestyle Correspondent Meaghan Mooney (right) a completed block from our 2016 Row by Row Experience pattern kit.

Click to watch a discussion of, and examples of, mixed media and upcycled art

The third segment — watch online now — featured Judy talking about mixed media techniques and upcycling with members of Judy’s Altered Minds (JAMs), a group that meets at Artistic Artifacts monthly. Judy began by showing off results from the JAMs Box Challenge conceived by Barb Boatman of Cut Sew Create studio (see more photos of the results in our past Facebook album), repurposing dimensional wood box frames formerly used on a display wall of automotive products.

Meahgan Mooney meeting Artistic Artfacts customers and members of JAMs

Members used these surfaces to create small artworks that incorporated products from Artistic Artifacts that they had in their stashes, and/or that they had purchased new. JAMs member Beth Richardson explained the sea turtle box she created, and viewers also get a chance to some of the pages of an art journal that Beverly Hilbert has created.

Click to watch a demonstration of hand-stitching on a batik panel and learn more about how they are created

The final demonstration was Christine Vinh of StitchesnQuilts discussing how batik panels are handcrafted in Indonesia as well as demonstrating hand-stitching on one by the popular batik artist Jakawatch online now.

Batik art panels at Artistic Artifacts

Christine Vinh and Suzanne LangsdorfAbove, our batik panel “station” set up for filming. Chris used Tulip needles, a selection of WonderFil Specialty Threads, and was inspired by Modern Hand Stitching by Ruth Chandler. This segment also includes a walk-through of the shop back to the BERNINA machine embroidery demonstration by Denise Reuter of Artistic Artifacts, who has several years experience as a manager and educator for BERNINA Sewing Machine USA. Artistic Artifacts is a new BERNINA dealer!

In her segment Chris wore her beautiful Schoolhouse Tunic, which was sewn for her by JAMs member Suzanne Langsdorf using Batik Tambal Exclusive Batik in Woodstock, Jam and fabric from a sarong imported from Indonesia. Pictured right, Chris preps for her filming with the caffeine boost of coffee while Suzanne teasingly waves to the camera.

And as if the “official” taping didn’t keep us all hopping enough Judy’s son Kyle also streamed video content live (archived below) on Facebook!

In this livestream “you can hear me talk about my latest artwork (at time mark 15:40 in the video) about my written meditation on forgiveness,” writes mixed media artist Wendy Sittner, pictured below, “when I got to participate in Artistic Artifacts’s appearance on WUSA9 Great Day Washington live with Meaghan Mooney. Owner Judy Vincentz Gula did amazing and Meaghan was so friendly and made us feel so comfortable on camera.”

"Wendy Sittner with her written meditation on forgiveness

For Artistic Artifacts, this really was a "Great Day" — we extend our deepest gratitude to WUSA9 for visiting our store and showcasing the fiber and mixed media talent and techniques of our creative minds!

Artistic Artifacts staff and customers during the Great Day Washington filming

Below, machine embroidery by Denise Reuter.

Always color outside the lines -- machine embroidery by Denise Reuter

Stitched Photo Quiltlets

Photo stitched quiltlets, a holiday gift to my son, nephew and nieces

A number of years ago I took a photo of my son Kyle with his cousins Meghan, Carleigh and Reid (my brother Scott’s children) during an ice skating outing, and it has always been a favorite of mine…and I always intended to use it in my art and share it with each of them. Now that they are all young adults, this past holiday season was finally the year!

My first step was to print the photograph out on EQ Printables Premium Cotton Lawn Inkjet Fabric. I fit two images per sheet. I then used Mistyfuse, my favorite fusible (so sheer and lightweight) to fuse the images to Pellon Heavyweight Stabilizer.

Emphasizing the children by stitching over the photo's background

Since I wanted the kids to be the focal point, I decided to stitch the background out using Fruitti™ by WonderFil, a 12 weight cotton thread. First, I stitched an outline of the group, and then I went back in and added freeform vertical lines to eliminate the distraction of the photo’s background. The thickness of the thread gave me the look I wanted, and I choose one of the more subtle of the variegated colors available to add additional interest without pulling attention away from these adorable kids.

Trimming corners to lessen bulk once turned

I created a small quilt to stitch my photos to, using the Pillowcase Turn method. You can download a free instructional PDF on this technique from Susan Brubaker Knapp’s website…she writes it’s “the fastest and easiest technique for finishing an art quilt.” Above, trimming the corners to lessen the bulk once the “pillowcase” is turned.

Small slit to enable the pillowcase turn method

Above, a small slit is necessary to enable the pillowcase turn method. My fabric label, shown at the bottom of this post, is fused on and hides it.

Satin stitching around the photo

For some of the quiltlets, I used a satin-stitch around the photo (above)…

Zig zag stitching around the photo

…for others, just a simple zig zag finish.

Pockets hold a dowel for hanging the quiltlet

I wanted to make it easy on the recipients to be able to hang these up for display, so I added triangle pockets to the back, which hold a lightweight dowel. As these are small and lightweight, they really can hang with just a pushpin! There are a lot of tutorials out there on this easy process — try this one.

I loved popped these in the mail this holiday season and imagining the smiles as they were unwrapped — grab a favorite photo of your own and turn it into an art quilt, for yourself or for others to display.

Using WonderFil Threads to Accent Block Prints

Block printed table runner bordered in Australian fabric, prebound

The center panel of my block printed table runner, pictured above pre-bound, began as a sample cloth. When I exhibit at quilt shows, I demo block printing (remember that this blog contains a Block Printing Introduction tutorial) and this length of fabric contains multiple prints accumulated over a show. I decided this was an ideal piece to continue with, challenging myself to work in a subdued palette.

I used an assortment of our beautiful, collectible wooden printing blocks, hand carved by artisans in India for this runner. Most the designs you see in use here are currently out of stock, but we have another shipment arriving any day now, so keep checking in with us!

GRABAROO’S® gloves and Konfetti™ threads by WonderFil

Above, using a pair of GRABAROO’S® gloves gives you extra grip when you are free-motion quilting — you will really feel a difference in handling and moving your quilt sandwich. Pictured center are the Konfetti™ threads I chose: from top to bottom, 101 Soft White, 905 Sterling Grey and 902 Medium Grey. Konfetti, one of the many specialty threads by WonderFil we now carry, is 3-ply, 50wt cotton low lint thread, ideal for use in free motion quilting and more. In the hopes of making my runner reversible, I used the Konfetti in both my top and bobbin thread. I loved the feel of it… very easy to use

Using the fabric pattern to guide free motion quilting

A simple way to freemotion quilt is to just follow the design printed on the fabric!

Block printed center bordered with Australian fabric

I used Bush Coconut Dreaming Brown by Audrey Martin for the borders. This is one of the amazing Australian Aboriginal fabrics we carry; the color combinations and authentic tribal designs are so inspiring!

Freemotion quilting with Konfetti thread by WonderFil

Above, a detail of stitching the design that was created by the wooden block print.

Block prints free motion stitched with Konfetti thread

Additional views. At this stage, all the thread needs to be pulled to the back and hidden yet.

Block prints free motion stitched with Konfetti thread

So, what do you think?

Sharing Some Peeks of Quilt Market/Quilt Festival

I am still catching up after being away for more than two weeks away for the Quilt Market and the International Quilt Festival, in Houston, TX. In order to get a blog post up for the first time in muchtoo long, I am shamelessly stealing from my Printed Fabric Bee buddy Lisa Chin!

Judy Gula presenting her Selling Hand Drawn Batik Artist Panels session in Houston, TX, photo by Lisa Chin

I last wrote from Market, the largest “trade show” for fabric and quilting (it’s not open ot the public), which takes place annually several days before the Quilt Festival. Lisa wrote that she “had the opportunity to attend a number of Schoolhouse presentations during market. These very short classes are designed to help store owners learn more about the products available, as well as how to use the products and share them with their customers.”

I taught a Schoolhouse, and Lisa took the photo of me pictured here during it, and wrote a blog posting that included it. My presentation is titled Selling Hand Drawn Batik Artist Panels. Most fabric stores carry commercial batik fabrics, which have long been popular with quilters and seamstresses. My presentation hopes to open shops up to selling one-of-a-kind batik artist panels as well. (Note: while this presentation was to industry, I also have a lecture and trunk show I present to guilds and art groups titled Batik Adventures.) At Artistic Artifacts we sell beautiful panels from ten different Indonesian artists, which are wonderful incorporated into unique quilts, home decor or mixed media art projects.

I’m so fortunate to have a local home to stay in during the duration of my trip to Houston. Several of my quilting buddies gather there too; fiber and mixed media artist Judi Hurwitt generously welcomes us in. (Remember Judi? She used my wooden printing blocks and fabric paint to transform an upholstered chair!

On a “play day” before everything began, I led the group in a fabric dyeing session. My ‘bible’ is Color by Accident by Ann Johnston…I swear by her low-water Immersion method. Here are Lisa’s quart canning jars full of luscious color steeping. I always love photos of this portion of the process! Visit Lisa’s blog for a shot of her finished fabrics, as well as photos of our Cyanotype sun-printing experiments.

Lisa Chin's dyed fabric setting in the sun

I could never get through a long trip like Houston without the help and support of friends and colleagues. Joining me at Judi’s beautiful home were Chis Vinh, Ruth Chandler and Liz Kettle. Chris was a godsend to me; sharing the driving duties to and from Houston, helping me with set-up and take-down (twice! If you exhibit in both shows as I do, you can’t leave your booth from Market up for Festival!) and staffing my booth. And Ruth and Liz had their own extensive schedules with teaching duties.


Lisa Chin demonstrating monoprinting techniques

We all came together for a “Take & Teach” sponsored by Rockland Industries. Artistic Artifacts sells its Roc-lon® Multi Purpose Cloth, Osnaburg 100% Cotton and Nature’s Way Muslin. Take & Teach sessions are 90-minutes long and take place each morning before the Market opens, led by current Market exhibitors about their product. Like my schoolhouse presentation, these sessions serve to let quilt and fabric shop owners know what can be done with a product. I demonstrated block printing and mono-printing on the various fabrics, using my wooden printing blocks and our new fluid textile paints. Lisa, pictured here, used stencils and found objects to explore additional monoprinting techniques. We hope we made some converts to this creative fun.

I have to say thank you to Lisa, for her lovely testimonial on her blog:

“[We] used some great new fabric paints from Artistic Artifacts. I bought the complete set to bring home after using them in class. They have a nice long open time, meaning they won’t dry too quickly on the gel plate, and they have a soft hand on the fabric! Two ideal attributes for fabric paint in my book!”

Since Lisa has been far more productive writing and taking photos than I have, here are links her blog posts relating to Quilt Market and Quilt Festival:

P.S. We’ve just finalized plans with Liz to visit Artistic Artifacts early next month: she’ll be teaching a Friday evening class on her beautiful Stitch Meditations, and a Sunday class on Magical Stitches. In between, Saturday, December 3, she’ll be joining us for our Annual Open House and Holiday Market. Stay tuned for a big announcement about a new venture then too!

 

Our Wide Stripes Quilt

Our enewsletter this week featured a free gift to subscribers, our Wide Stripes Batik Lap Quilt pattern — visit our Tutorials page to download your copy! (Don’t receive our enewsletter? Subscribe using the box to the right.)

Wide Stripes Batik Lap Quilt by Artistic Artifacts
Created and stitched by Chris Vinh of StitchesnQuilts, this design: fits in with any décor, from modern to traditional, and is quick and easy to put together — we love it!

Batik Tambal Exclusive Batik used in the Artistic Artifacts Wide Stripes quilt

This beauty was sewn using our Batik Tambal Exclusive Batik. Pictured right, top to bottom, are:

This pattern will be beautiful in whatever colors and patterns you love. But since one of Chris’ great gifts is the ability to pick amazing color and fabric combinations, enjoy the eye candy of the “bundles” she put together of Aborigine-designed fabrics from Australia as she was deciding on fabrics for our example.

Blue themed quartet of Australian Aborigine-designed fabrics

Above, left to right, Desert Rose Blue by Patricia Weeks; Fire Dreaming Blue by Janet Long; Untitled Blue by Nambooka and; Dropping Seeds Neutral by Roseanne Morton.

Red themed quartet of Australian Aborigine-designed fabrics

Above, top to bottom, Suklage Ash by Anna Pitjara; Fire Dreaming Red by Janet Long; Gathering Bush Tomatoes Ash by A. Nanagarri and Kangaroo in the Desert Rain Red by Judda.

Gold themed quartet of Australian Aborigine-designed fabrics

Above, top to bottom: Desert Rose Orange by Patricia Weeks; Wild Bush Honey Ant Mint by Audrey Martin Napanangka; Untitled Gold by Nambooka and Waterhole & Seeds Gold by Anna Pitjara.

To create a lap-size Wide Stripes quilt top requires just one yard each of four fabrics. We do list that if you instead choose 2½ yards of your chosen sashing/border fabric, you can complete a matching pieed backing for your quilt. Because you will have extra fabric left, including a pieced strip of your four fabrics remaining as you cut per our directions, you can create a backing so pretty your quilt is reversible! Look at the back of our sample:

Pieced backing of the Artistic Artifacts Wide Stripes Batik Quilt

Enjoy making your quilt in the colors and patterns you love best. (And we’d love it if you share photos of your work with us!)

Remember that in addition to our regular Facebook presence, we have set up Artistic Artifacts’ Creative Minds, a Facebook group that’s a virtual extension of Judy’s Altered Minds (JAMs, which meets monthly in the shop). On Facebook group members — art quilters, collage artists, art journal keepers, surface design enthusiasts, paper crafters, assemblage & art doll artists, and more from all over the US and beyond — have a place to share ideas and projects with one another. Representing all levels of expertise, this is a online home for our Creative Minds to encourage and support like-minded friends. Join Us!

Using Triangles On A Roll to Speed Piecing

Half Square Triangles created with Triangles On A Roll paper

I am currently working on a semi-secret project, one that is requiring me to really stretch… Okay, I will actually confess that instead of a stretch this is a real JUMP out of my comfort zone!

I’m working with a size larger than 24" x 24", and I’m doing quilt piecework beyond my beloved log cabin strip construction! The crib quilt project that I am designing uses a handpainted batik panel by Mahyar as a focal point, and it has a very cool border design, similar to that pictured below, that I wanted to echo.

Batik detail on Mahyar batik panel

My first thought was using pieced Half Square Triangles (HST). I had heard good things about the Triangles On A Roll for piecing HSTs, and thought I would experiment with them. I began by purchasing sample rolls in couple different sizes and testing them with fabrics. There’s a free Craftsy Tutorial that is nicely illustrated with clear photos on how to use Triangles on a Roll to sew HSTs: so simple to use!

Spoiler Alert: I love this product so much I’ve added it to the Artistic Artifacts store! Shop all Triangles On A Roll products »

2½" finished block, using Triangles On A Roll ; each square tells you how wide to cut your fabric squares, as seen in this photograph.

Above, 2½" finished block, using two different fabrics. A great feature of the Triangles On A Roll papers
is that each one tells you how wide to cut your fabric squares, as you can see in this photograph.

The Triangles On A Roll blog had a post about how quick using these products can be. Nedra Sorensen of Triangles On a Roll decided to time herself in making 44 HSTs for a project. Her sewing time was 13 minutes; her cutting time 5 minutes; paper removal time 5 minutes; pressing time 5 minutes, and trimming off the bunny ears 2 minutes. A total of 30 minutes! Now, of course quilting’s not a race, but even for a beginner using this product, the time savings from cutting and piecing a HST the old-fashioned way is incredible. Plus, you are getting consistently precise, accurate results.

Woodstock batik by Batik Tambal sewn using Triangles On A Roll

Above, a fun result using Woodstock, 1969, an ombre batiks that is one of the dessigns created exclusively for us by Indonesian artisans. We just released a new Ferns pattern in six beautiful colorwayas!

Then, thinking of structure like the log cabin construction (see, I didn’t get too far away from my default mode!), I wanted to experiment with the contrast of light and dark fabrics:

HSTs sewn using Triangles On A Roll

The top HST in the above photo has had its “bunny ears” trimmed. Look at the accuracy of the piecing and the even seam allowances. Each of these rolls are 50 feet long, and the number of finished HSTs will vary with the size. For instance, the 3½" roll will make 540 HSTs!

Key points to remember when sewing HSTs with Triangles On A Roll:

  • Pin the paper to the top of two (2) pieces of fabric that are facing right sides together.
  • Shorten your stitch length on your sewing machine to make it easier to remove the paper after piecing. Triangles On A Roll recommends a 1.5 setting.
  • Sew on the dotted lines.
  • Cut on the solid lines.

So, once I had warmed up with several piecing sessions using different sizes and fabrics, my next step was to use HSTs in a project.

HSTs from two different Australian fabrics, sewn using Triangles On A Roll

Above, River Dreaming Red by Barbara Egan and Bush Coconut Dreaming Red by Audrey Martin, two Aborigine Designed Fabric that look great together.

Pillow top, designed using a handpainted batik panel by Ahmed and HSTs sewn using Triangles On A Roll

I used an Ahmed batik panel and cut it in half horizontally to make two coordinating pillows. After framing the panel in narrow strips, I enlarged the surface using my red and black HSTs on just two sides for an asymmetrical look.

Pillow top, designed using a handpainted batik panel by Ahmed and HSTs sewn using Triangles On A Roll

Above, the second pillow top (both are still in progress with the binding and the backing). One hint for you, watch the orientation of the triangles when you use them to wrap around a block (as I did here), rather than in a straight line.

Detail, free motion quilting, of pillow top, designed using a handpainted batik panel by Ahmed

A detail of my free motion quilting of the panel. Abstracts are fun, because anything goes!

So with my pillows essentially finished, I’m back to my original idea using the Mayhar Batik Art Panel…

Piecing with Triangles On A Roll paper

Half Square Triangles (HSTs) created with Triangles On A Roll paper

Triangles On A Roll products are definitely going to help me create a wonderful Mahyar crib quilt design!

Batik panel  by Mahyar, a focal point of an upcoming quilt project

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